The archive is expected to be available to the public by spring 2011

Many key documents now translated

Widow claims artist’s reputation is being damaged

Archives reveal the events behind director Norman Reid’s decision to accept only nine of the artist’s pictures

Henrietta Maria: patron, collector and propagandist

This ambitious project will serve as an archive, allowing unprecedented remote access to information and art

A true story of love, war and madness

Denying the artist’s homosexuality makes his work more saleable, she says

Documents and paintings will be sold at a country auction

This move will substantially increase the accessibility of it's collections

Collector sues family trust which had withdrawn the artist’s belongings from sale

The Art Newspaper requested full information

Architects no longer need vast resources of the printed word.

Barry Joule collection makes its way into public hands

A first step towards the future

The trifles and hidden lives of artists

This account of George IV’s decorations and furnishings is a landmark in the history of writing about the decorative arts

Spring 2002 to see new Research Centre at Millbank

A reply correcting some out of date assumptions

Do modern architects use historic architectural material?

Museums considered banning female visitors at height of suffrage movement

The opening of a file on James McNeill Whistler, embargoed for a century, reveals him to have been a violent brawler, a racist and a gun-runner

A 1941 typescript has been discovered that fills in the missing history of 16,588 works of art seized by the Nazis

In Britain, official papers are revealed after thirty years. The Art Newspaper was ready and waiting to see what was—and what might have been

After much controversy surrounding the archives release, Sir Alan Bowness releases part of the archive to Tate

Celebrating our fiftieth issue with fifty of our best

Despite the sculptor’s wishes, Alan Bowness has failed to hand her papers over to the Tate

From 4 April to 18 July the Palazzo Grassi is showing a 300- work exhibition by Pontus Hulten of the work of Marcel Duchamp, the artist whose ideas have pricked through the whole history of twentieth-century art. Here we publish one of his last interviews, made in 1966

As “Sensation!”, the exhibition of the Saatchi collection of young British art, opens at the Royal Academy we ask what drives Saatchi to buy, and risk, so much