Sadie Coles in an eastward position, the Lisson and Tim Taylor times two, photography at Frith Street and Maureen Paley, plus powerful juju at Anthony Reynolds

It is fifty years since this collector and essentially American philanthropist was turned on to art while at Harvard. He has been an integral part of the art establishment in Chicago for decades

The president and executive director of Knoedler’s encourages collectors to become museum patrons and supplies major museums with works of art

Picasso for the blind at Wildenstein and a bevy of Latin American paintings exhibitions

An American financial market strategist has put together a major collection of nineteenth-century British watercolours.

Part owned by Bernard Arnault’s luxury group, this auction price database has huge expansion plans

A brand new tribe of collectors and buyers is coming

Rising prices and increasing prestige for certain artists as collectors awake to Modernism’s sleepers

Many Lewis Hine images have been printed after his death without authorisation, some on papers from as late as the seventies

Serving a possibly premature coup de grâce to the oldest art dealership in the world

Only a quarter of the lots are selling, mostly at prices under $5000

Very little support for the art scene from the tax system and, as in Germany, an outdated distinction between “original” works of art, subject to 9% VAT, and multiples (prints, digital works, photography etc), subject to 19%

Works from the Southeast Asian countries vie with the more traditional Chinese and Japanese selections

A introduction which examines the principles that underlie marketing and public relations and how they are applied

The top twenty has Cézanne at the top with a new record from Sotheby's

As last month’s antiquities sales boomed, The Art Newspaper surveyed leading dealers and specialists in New York

Drawing on draughtsmanship at Alexander and Bonin, Paula Cooper, Zwirner and Marlborough

Many new, middle-aged, collectors, say Christie’s

“At least thirty collectors are spending $200,000-500,000 a year at auction” on this branch of the decorative arts

Geoffrey Munn gives an insider view of the last year

Big names for private collectors and big sculptures for museum curators

As the supply of works by the big names dwindles demand is growing for pictures by lesser known artists

A new Orientalist star overturns Gérôme; Italo-Swiss Alpine artist fetches $9.5 million and “The big wave” sweeps photography to new heights

While a broad consensus emerged that sales remain solid, the demand for quality pictures outstrips supply, causing frustration among serious collectors

While the market remains largely stable in Europe, the demand for quality pictures, fuelled by thriving European economies, outstrips supply

Trade at home is still strong, but Germany is looking for business beyond its borders

Plotting national tastes and identifying certain general market trends