The British-born dealer may be a reluctant power-player, but his new, larger space reflects his place in the pecking order

Milena Orlova, the editor of The Art Newspaper Russia, discusses the market, collectors and why Russia needs an art newspaper

White Cube’s Graham Steele and the US curator Robin Peckham discuss their new spaces in the Central district

Argentina, Mexico and Brazil could be the future for a field struggling with limited supply

Despite reservations, the former oncologist and “fierce” collector has become a dealer in contemporary art

Phillips’ international star talks about plans for the future, guarantees and what happens to those unsold pictures

The latest exhibition he has curated opened just last week at Tate Modern, “Gerhard Richter: Panorama”

The Parisian dealer was one of the first to tap into Asian markets

The National Portrait Gallery director had a sensitive, secret role in recovering the stolen paintings

Alessandro Mendini celebrates his 80th birthday this year—and his approach to design continues to be relevant

His new space in London will open with an exhibition on the Austrian painter

One of the sculptor's models reflects upon his enduring influence and how he changed her life

The New York-based dealer on his photographic roots and his future plans

Peter Weibel, head of ZKM Karlsruhe, on the Moscow Biennale and subverting military technology to create virtual sculpture

Making more of Tate Britain’s building and rehanging the collection

Elmgreen and Dragset on splitting up but staying together and why they are putting their lives on stage

For Design Miami’s Designer of the Year, the hands-on approach is still vital to his work

“At Gagosian, it was understood, ‘Sit there and make money’”

The polymath performer has written a novel set in the art world -should every dealer he’s ever met be afraid?

Dealers Monika Sprüth and Philomene Magers discuss the benefits of teamwork and the Berlin art scene

The old master dealer on market caution, setting the record straight with Colnaghi, and working for a very private collector

The pioneer of the resale agreement talks about the recession and what it means for both artists and collectors

The Japanese artist speaks about her Miami exhibition

The critic and curator spoke to The Art Newspaper about the role of art theory, and what advice he is giving to his students in today’s artistic climate.

Next year their collection of Dutch and Flemish 17th-century paintings goes on display for the first time in Europe and the US. The couple gave us their first ever interview

Alicja Kwade on fleeing Poland, working for other artists and winning prizes

Borchardt-Hume on history, community and leaving the Tate

Director Borja-Villel is instituting radical changes to Madrid museum

The pair plan to expand the Miami edition, but not much else will change