An out-of-town gallery thrives on showing gentle, figurative painters
The Spaniard speaks on his 20 years of experience and his visions of the future
As Neil MacGregor joins the British Museum as director next month, we publish a valedictory interview with him about the experience he gained leading the National Gallery
Here’s hoping that they keep their trousers
The new director of Frankfurt’s Museum of Modern Art is self taught (he trained as an optician), curator of the German pavilion at this year’s Venice Biennale, and passionately involved in contemporary art
As director of this centre for arts and media technology, Peter Weibel, says that media art can be more politically engaged because it relates to the new technologies and the new economic order
In 2001, the Yale professor attributed the one- to two-year lag between crashes to the time it takes to liquidate assets
From Great British to stellar American art
Lord Sainsbury of Preston Candover has provided crucial support for many of Britain’s greatest art institutions
Glenn Lowry, director of MoMA, discusses the new internet alliance that marks the first time museums will use their expertise and reputations for online commercial ventures
The new director of the Swiss fair reveals his plans for its future
An exclusive interview with The Art Newspaper about the closely guarded secret: the thinking behind how the Tate Modern has arranged its art
The Microsoft co-founder speaks about the Italian artist's influence on Beuys ahead of an exhibition in Berlin
An interview with one of the curators of this year’s Whitney Biennial as his sculpture exhibition moves south of the Texan border
Richardson talks about his mentor and one time lover, Douglas Cooper—fiendish and funny art historian, aesthete and champion of Cubism
Their director of marketing talks on the database against crime
Marcia Tucker, the founding director of the New Museum of Contemporary Art, New York, reviews her work of the past twenty-two years
J.G. Ballard, author of The Empire of the Sun, chooses seven images and explains his passion for Surrealism and the importance that Pop Art, Francis Bacon and photography have had for him
The Biennale director who launched the “Aperto” section for young artists is now replacing it with “d’Apertutto” as the theme of Biennale ‘99
The new sole executor of Bacon's estate talks in his first public interview about the teams of lawyers now working to see that the artist’s beneficiary, John Edwards, receives precisely what Francis intended him to receive. And that is everything
The guru of avant-garde Chinese art in the Eighties and early Nineties talks now of a return to tradition
One year after the acclaimed opening, the director of New York’s Guggenheim talks about the Bilbao Guggenheim, his money-raising and his new expansion plans Spanish commentators admire the building and its success with the public but some chafe at its artistic dependence on the New York museum
Amid the frenzy of Stockholm ‘98, the museum's new director takes art seriously
“We have wanted to create more of an essay than a history, so we made a list of artists who have done something decisive... or who created work that one simply cannot overlook”
Gertrude Stein asks: museum or modern? MoMA’s director replies
The co-founder of Stephens Innocent law firm discusses the limits of art
Daniel Katz, Britain’s leading sculpture dealer, has a major exhibition in London this month. He describes his thirty-year career and his undimmed passion for art
“It is impossible to say in advance when photography is an art and when it is not”
The Director Emeritus of the Museum of Modern Art, New York and leading Picasso scholar in American museums discusses the exhibition he has curated opening this month
Former head of Museum of Modern Art and now chairman of Sotheby’s America sees no conflict between museums and the trade