The critic and curator spoke to The Art Newspaper about the role of art theory, and what advice he is giving to his students in today’s artistic climate.
Next year their collection of Dutch and Flemish 17th-century paintings goes on display for the first time in Europe and the US. The couple gave us their first ever interview
Alicja Kwade on fleeing Poland, working for other artists and winning prizes
Borchardt-Hume on history, community and leaving the Tate
Director Borja-Villel is instituting radical changes to Madrid museum
The pair plan to expand the Miami edition, but not much else will change
In the second part of our interview with Storr, he considers the question of how to make the historic event truly representative of today’s global art world
In his first interview since taking over, the new director outlines his priorities
“I feel that at the time of the Medici they had my kind of rapport with their artists”
Fair director Sam Keller believes his greatest achievement has been to combine culture with commerce
After his intention to step down from Basel goes public, Sam Keller discusses the fair's evolution, his legacy, and pastures new at the Beyeler Foundation
The new US ambassador and his wife on a marriage spent collecting
Keeping net art live
Long live the united nations of the arts?
One of the great connoisseurs of our time, the curator of the current exhibition of Chinese art at the Guggenheim talks about Chinese art seen from within and without
An out-of-town gallery thrives on showing gentle, figurative painters
The Spaniard speaks on his 20 years of experience and his visions of the future
As Neil MacGregor joins the British Museum as director next month, we publish a valedictory interview with him about the experience he gained leading the National Gallery
Here’s hoping that they keep their trousers
The new director of Frankfurt’s Museum of Modern Art is self taught (he trained as an optician), curator of the German pavilion at this year’s Venice Biennale, and passionately involved in contemporary art
As director of this centre for arts and media technology, Peter Weibel, says that media art can be more politically engaged because it relates to the new technologies and the new economic order
In 2001, the Yale professor attributed the one- to two-year lag between crashes to the time it takes to liquidate assets
From Great British to stellar American art
Lord Sainsbury of Preston Candover has provided crucial support for many of Britain’s greatest art institutions
Glenn Lowry, director of MoMA, discusses the new internet alliance that marks the first time museums will use their expertise and reputations for online commercial ventures
The new director of the Swiss fair reveals his plans for its future
An exclusive interview with The Art Newspaper about the closely guarded secret: the thinking behind how the Tate Modern has arranged its art
The Microsoft co-founder speaks about the Italian artist's influence on Beuys ahead of an exhibition in Berlin
An interview with one of the curators of this year’s Whitney Biennial as his sculpture exhibition moves south of the Texan border
Richardson talks about his mentor and one time lover, Douglas Cooper—fiendish and funny art historian, aesthete and champion of Cubism