As director of this centre for arts and media technology, Peter Weibel, says that media art can be more politically engaged because it relates to the new technologies and the new economic order

From Great British to stellar American art

Lord Sainsbury of Preston Candover has provided crucial support for many of Britain’s greatest art institutions

Glenn Lowry, director of MoMA, discusses the new internet alliance that marks the first time museums will use their expertise and reputations for online commercial ventures

The Microsoft co-founder speaks about the Italian artist's influence on Beuys ahead of an exhibition in Berlin

An interview with one of the curators of this year’s Whitney Biennial as his sculpture exhibition moves south of the Texan border

Richardson talks about his mentor and one time lover, Douglas Cooper—fiendish and funny art historian, aesthete and champion of Cubism

Their director of marketing talks on the database against crime

Marcia Tucker, the founding director of the New Museum of Contemporary Art, New York, reviews her work of the past twenty-two years

J.G. Ballard, author of The Empire of the Sun, chooses seven images and explains his passion for Surrealism and the importance that Pop Art, Francis Bacon and photography have had for him

The Biennale director who launched the “Aperto” section for young artists is now replacing it with “d’Apertutto” as the theme of Biennale ‘99

The new sole executor of Bacon's estate talks in his first public interview about the teams of lawyers now working to see that the artist’s beneficiary, John Edwards, receives precisely what Francis intended him to receive. And that is everything

The guru of avant-garde Chinese art in the Eighties and early Nineties talks now of a return to tradition

One year after the acclaimed opening, the director of New York’s Guggenheim talks about the Bilbao Guggenheim, his money-raising and his new expansion plans Spanish commentators admire the building and its success with the public but some chafe at its artistic dependence on the New York museum

Amid the frenzy of Stockholm ‘98, the museum's new director takes art seriously

“We have wanted to create more of an essay than a history, so we made a list of artists who have done something decisive... or who created work that one simply cannot overlook”

Gertrude Stein asks: museum or modern? MoMA’s director replies

The co-founder of Stephens Innocent law firm discusses the limits of art

Daniel Katz, Britain’s leading sculpture dealer, has a major exhibition in London this month. He describes his thirty-year career and his undimmed passion for art

“It is impossible to say in advance when photography is an art and when it is not”

The Director Emeritus of the Museum of Modern Art, New York and leading Picasso scholar in American museums discusses the exhibition he has curated opening this month

Former head of Museum of Modern Art and now chairman of Sotheby’s America sees no conflict between museums and the trade

The connoisseur, dealer, collector and patron of the Morgan Library discusses the importance of emotional impact, and how the art market has transformed since the start of his career

The artist's long time friend sheds light on the artist as he was, ahead of the Hayward Gallery exhibition on his early works

Architect of the Louvre pyramid, I.M. Pei, is its designer

The apotheosis of the Louvre

The works were collected day by day, from 1907 to 1914, by Paul Alexandre during the artist’s stay in Paris