Interview
“I’ve never installed my work in such an exotic environment”: Interview with Yayoi Kusama
The Japanese artist speaks about her Miami exhibition
Interview with Robert Storr: Most theory has little bearing on art
The critic and curator spoke to The Art Newspaper about the role of art theory, and what advice he is giving to his students in today’s artistic climate.
The most important collectors you’ve never heard of: The Van Otterloos
Next year their collection of Dutch and Flemish 17th-century paintings goes on display for the first time in Europe and the US. The couple gave us their first ever interview
My road to Art Basel 2009: Interview with Alicja Kwade
Alicja Kwade on fleeing Poland, working for other artists and winning prizes
Interview with Achim Borchardt-Hume, new chief curator for Whitechapel
Borchardt-Hume on history, community and leaving the Tate
Manuel Borja-Villel: "Reina Sofía can be a 21st-century leader”
Director Borja-Villel is instituting radical changes to Madrid museum
Interview with Art Basel’s new co-directors Marc Spiegler and Annette Schönholzer on keeping it business as usual
The pair plan to expand the Miami edition, but not much else will change
Interview with Robert Storr, director of the 2007 Venice Biennale: "I would recommend dramatically increasing the number of national pavilions"
In the second part of our interview with Storr, he considers the question of how to make the historic event truly representative of today’s global art world
Interview with Nicholas Penny on his plans for the National Gallery: “It is a real shame that we do not have more American paintings”
In his first interview since taking over, the new director outlines his priorities
In search of purity out of Africa: Interview with collector Jean Pigozzi
“I feel that at the time of the Medici they had my kind of rapport with their artists”
Interview with Sam Keller: “Art Basel is not a shopping mall”
Fair director Sam Keller believes his greatest achievement has been to combine culture with commerce
"It was the world's most important fair before I came, it is now, and it will continue to be after I've left": Interview with Art Basel director Sam Keller
After his intention to step down from Basel goes public, Sam Keller discusses the fair's evolution, his legacy, and pastures new at the Beyeler Foundation
Interview with Ambassador Tuttle and Mrs Tuttle: His favourite artist is Francis Bacon, hers is Agnes Martin
The new US ambassador and his wife on a marriage spent collecting
Interview with His Highness the Aga Khan on Al-Azhar Park and the importance of architecture
In a rare interview, the Aga Khan describes his global approach to helping Islamic communities help themselves, while also restoring their past heritage
Alex Galloway, director of Content & Technology at Rhizome.org talks to Peter Schauer about the state of internet art
Keeping net art live
Interview with Francesco Bonambi: The post-war Biennale and national vs. individual identity
Long live the united nations of the arts?
Interview with Sherman Lee: “Innovation, wherever it occurs, is ‘modern’, and people could be more modern in ancient times than we are now”
One of the great connoisseurs of our time, the curator of the current exhibition of Chinese art at the Guggenheim talks about Chinese art seen from within and without
Interview with a British dealer Pat Jordan Evans on her gallery's 30th anniversary
An out-of-town gallery thrives on showing gentle, figurative painters
Interview with Tate Modern's new director Vicente Todoli: “Globalisation is the essential spirit of art”
The Spaniard speaks on his 20 years of experience and his visions of the future
Art is much more important than art history
As Neil MacGregor joins the British Museum as director next month, we publish a valedictory interview with him about the experience he gained leading the National Gallery
Judith Bumpus on the launch of the BBC’s new digital arts channel BBC4
Here’s hoping that they keep their trousers
Interview with museum director and curator Udo Kittelman: “The curator should never be more important than the artist”
The new director of Frankfurt’s Museum of Modern Art is self taught (he trained as an optician), curator of the German pavilion at this year’s Venice Biennale, and passionately involved in contemporary art
Peter Weibel: “Art has become irrelevant today”
As director of this centre for arts and media technology, Peter Weibel, says that media art can be more politically engaged because it relates to the new technologies and the new economic order
Interview with economist William N. Goetzmann: 'The financial and the art markets do not crash at the same time'
In 2001, the Yale professor attributed the one- to two-year lag between crashes to the time it takes to liquidate assets
Interview with dealer Bernard Jacobson on his change of taste and direction
From Great British to stellar American art
Making up for the government's failures: Interview with Lord Sainsbury
Lord Sainsbury of Preston Candover has provided crucial support for many of Britain’s greatest art institutions
Interview with director Glenn Lowry: Commercial company to be launched by the Museum of Modern Art and the Tate Gallery
Glenn Lowry, director of MoMA, discusses the new internet alliance that marks the first time museums will use their expertise and reputations for online commercial ventures
Interview with Samuel Keller: Quality, not quantity at Art Basel 2000
The new director of the Swiss fair reveals his plans for its future
Curator interview: Tate Modern's thematic hang
An exclusive interview with The Art Newspaper about the closely guarded secret: the thinking behind how the Tate Modern has arranged its art
Bill Gates on Leonardo
The Microsoft co-founder speaks about the Italian artist's influence on Beuys ahead of an exhibition in Berlin