Interview
Interview: architect Jacques Herzog on Art Basel’s new hall
The co-founder of Herzog & de Meuron architects on remodelling Messe Basel and the end of Modernity
Pac-Man at MoMA: Interview with Paola Antonelli
The museum's senior curator of architecture and design speaks about a show opening this month about the diversity and pervasiveness of design in the virtual and physical worlds
On the eve of his gallery’s 20th anniversary and its complete reinstallation with paintings, Charles Saatchi answers questions on the record for the first time ever
“I primarily buy art to show it off”
Interview with Hilary Weston: Grimm in Florida
The importance of meditation, mirages and tuning out.
“LA is tricky, slippery, invisible”: Interview with dealer Shaun Caley Regen
…but that didn’t stop the contemporary dealer opening Regen Projects’ biggest ever space with a first-class show last month
Interview with dealer Sean Kelly: Marina Abramovic, art fairs, and expanding off the beaten path
The British-born dealer may be a reluctant power-player, but his new, larger space reflects his place in the pecking order
The scoop on Russia: Interview with Milena Orlova
Milena Orlova, the editor of The Art Newspaper Russia, discusses the market, collectors and why Russia needs an art newspaper
Western perspectives on Hong Kong’s gallery scene: Interview with Graham Steele and Robin Peckham
White Cube’s Graham Steele and the US curator Robin Peckham discuss their new spaces in the Central district
Interview with dealer Santo Micali on finding new markets for pre-Columbian art
Argentina, Mexico and Brazil could be the future for a field struggling with limited supply
Interview with collector Marc Straus on transitioning to dealing: “The gallery business is a terrible concept”
Despite reservations, the former oncologist and “fierce” collector has become a dealer in contemporary art
Interview with Simon de Pury: “Photography may slacken off; design has great potential”
Phillips’ international star talks about plans for the future, guarantees and what happens to those unsold pictures
Interview with Nicholas Serota: The importance of curating Gerhard Richter
The latest exhibition he has curated opened just last week at Tate Modern, “Gerhard Richter: Panorama”
Interview with dealer Emmanuel Perrotin on taking risks: “People imagine it must be easy for me now”
The Parisian dealer was one of the first to tap into Asian markets
Sandy Nairne and his life as an undercover negotiator: The ethics of retrieving Tate's Turners
The National Portrait Gallery director had a sensitive, secret role in recovering the stolen paintings
Gian Enzo Sperone: 'The nature of the art market has changed for ever'
The Italian dealer and co-founder of Sperone Westwater spoke to us in 2011 about botany, the difference between European and US galleries and why the "big gallery" systems won't last
Interview with Alessandro Mendini on radical design: “I’m what we Italians call a dilettantissimo”
Alessandro Mendini celebrates his 80th birthday this year—and his approach to design continues to be relevant
Interview with dealer Richard Nagy on Schiele: “It is about sex, it is tense, anxious and emotional”
His new space in London will open with an exhibition on the Austrian painter
“He enabled me to know myself better”: Interview with Giacometti's last surviving muse, Paola Carola
One of the sculptor's models reflects upon his enduring influence and how he changed her life
Interview with dealer Paul Kasmin: “I get a lot of amusement putting what’s downtown, uptown”
The New York-based dealer on his photographic roots and his future plans
Interview with Peter Weibel: Centre for Art and Media Karlsruhe “will be the Louvre of media art”
Peter Weibel, head of ZKM Karlsruhe, on the Moscow Biennale and subverting military technology to create virtual sculpture
Interview with Tate's Penelope Curtis on her vision for the gallery: Avoiding the cliché of combining old and new
Making more of Tate Britain’s building and rehanging the collection
“Actors are playing us, but we might interfere”: Interview with curators Elmgreen and Dragset
Elmgreen and Dragset on splitting up but staying together and why they are putting their lives on stage
Interview with designer Konstantin Grcic: “I love to hear someone cutting cardboard”
For Design Miami’s Designer of the Year, the hands-on approach is still vital to his work
Interview with Christophe Van de Weghe
“At Gagosian, it was understood, ‘Sit there and make money’”
Interview with Steve Martin: "I’ve never met anyone who collects cynically”
The polymath performer has written a novel set in the art world -should every dealer he’s ever met be afraid?
Interview with Sprüth and Magers: “We didn’t want to become bigger, we wanted to become smaller”
Dealers Monika Sprüth and Philomene Magers discuss the benefits of teamwork and the Berlin art scene
Interview with dealer Luca Baroni: “As I get older, I get more demanding, I only want the very best”
The old master dealer on market caution, setting the record straight with Colnaghi, and working for a very private collector
Interview with dealer Andrea Rosen on 20 years in the business: “People are rightfully cautious and focused. I like that”
The pioneer of the resale agreement talks about the recession and what it means for both artists and collectors
“I’ve never installed my work in such an exotic environment”: Interview with Yayoi Kusama
The Japanese artist speaks about her Miami exhibition
Interview with Robert Storr: Most theory has little bearing on art
The critic and curator spoke to The Art Newspaper about the role of art theory, and what advice he is giving to his students in today’s artistic climate.