Interview
From logician Kurt Gödel to Turkish film and literature: Fatos Ustek on her biggest cultural influences
We ask the curator about her favourite art, books and what she has been doing during lockdown
Kaywin Feldman on how America's National Gallery of Art will 'attract the nation and reflect it, too'
The Washington museum's first female director is breaking down old silos and diversifying the staff, collection and exhibitions
'You need to predict what will be important in tomorrow’s world': Xavier Hufkens on opening another gallery during a pandemic
The art dealer is opening a third space in Brussels today with an exhibition of new works by Sterling Ruby
The mechanics of sponsorship in 2020: an interview with Rena De Sisto, the head of Bank of America’s arts and culture programme
‘We help museums do what they do best,’ says the executive who oversees the company’s support of international institutions
Q&A | Would Bauhaus artists have loved the iPhone? The writer of a new book called iBauhaus thinks so
Nicholas Fox Weber tells us what inspired his book and which visionary he would not like to spend lockdown with
'It's a time to do things, not think': Danny Katz on the art of dealing and not overthinking in a pandemic
Ahead of his sale at Sotheby's this month, the London art dealer talks about the obsessive pursuit of knowledge and why he is not interested in contemporary art
Eva and Franco Mattes: ‘Technology does not create the social problems we so often criticise’
As the lockdown forces the art world to migrate online, the Italian duo, who embraced the internet in its infancy, are moving in the opposite direction
A brush with... Sterling Ruby
We ask the artist about his favourite novels and find out about the Polish song he listens to on repeat
'I only think of work I can afford': inside the collection of Martin Margulies
As his Miami arts space turns 20, the arts patron discusses Nathalie Djurberg's pink octopus and why takeout would be on the menu at his dinner party
'My Nick Cave sound suit requires a lot of dusting': inside the collection of Mike De Paola
The real estate and entertainment entrepreneur on why he kicks himself daily for not buying a Simone Leigh sculpture
'My mother placed a Calder mobile above the bathtub': inside the collection of Candia Fisher
The New York-based arts patron on her fascination with maritime artefacts and her regret at missing out on one of Monet's waterlilies
'I have no regrets': inside the collection of Alan Faena
The Argentine real estate developer on installing Alfredo Jaar's electronic billboard on a boat and purchasing his first work at the age of 16
Anselm Kiefer on why size matters
On the podcast, we speak to the German artist about his new works inspired by String Theory, now on show at White Cube in London
From the archive | Louvre pyramid architect I.M. Pei on the church-like museum he designed for the Goulandris collection
In this 1994 interview, he reveals how he likes art to be displayed, such as natural lighting for Impressionists
South African dealer Liza Essers on refusing to give in to legal browbeating
Goodman gallery director discusses being taken to court by President Zuma and acknowledging her privilege
Thomas Struth on being taught by Gerhard Richter and how he almost cancelled his Guggenheim Bilbao show
A retrospective of the German photographer opens this week and includes more than 130 works spanning four decades
'A democratic vote swayed by lies is not democracy'—Mary Beard on what antiquity can teach us about political spin
The recipient of the 2019 J. Paul Getty Medal discusses how understanding Cicero can help decipher the rise of populism
In the rescued Johnson archive, poignant images from black American history
How four institutions swooped in to acquire four million images
Collector's Eye: Ulla Dreyfus-Best
The Basel-based collector Ulla Dreyfus-Best on her "Wunderkammer", which mixes 11th-century Italian bronzes with pieces by Jeff Koons
Louvre’s global role expands under Jean-Luc Martinez
Director is determined to see the French museum’s expertise and collections shared around the world—and safeguarded at home
In pictures: Frieze Sculpture Park
Clare Lilley, the director of programme at Yorkshire Sculpture Park and the curator of this year’s Frieze Sculpture Park, picks her favourite works from the three month long show
Wim Pijbes on why he left the Rijksmuseum for a ‘start-up’
The director of the Netherlands’ newest private museum, Museum Voorlinden, tells us about his 'dream job'
‘It’s a bigger story’: Frances Morris outlines her global vision for Tate Modern
A monumental extension and a shake-up of the museum’s displays will see more international names, live art and female artists
Meet the birdman of Brooklyn
Duke Riley has trained 2,000 pigeons to perform for Creative Time—and they took flight this weekend
Martin Creed brings ‘peace memorial’ to the shores of New York this week
British artist installs huge rotating neon—and his next plan is to turn the Armory inside out
Genius at work: New York celebrates its MacArthur winner
Nicole Eisenman, who is showing new works this week, on the “weird and wonderful” inspiration the city provides
Creating value around women artists: the chief curator’s view
Moca’s Helen Molesworth explains why the gender imbalance in museums persists and what can be done to remove it
An interview with Connie Butler: curator and advocate for the overlooked and under-known
As the Hammer Museum secures a donation of important collection of street photography by the Japanese artist Daido Moriyama, its chief curator speaks to us about how she’s working to build the collection and exhibition programme
Farah Diba Pahlavi: an exile from a collection
As the Tehran Museum of Contemporary Art’s enviable collection prepares to travel to Germany next year, the former empress of Iran reflects on the turbulence her country has faced in recent years—and her contribution to its cultural life
Seven tips from the top: essential job advice from US museum directors
In a new book out this month, industry leaders open up about role models, wrong turns and hard-won lessons