This week: like the rest of the art world, the market has been upended by the pandemic. But has the turmoil forced it to be any more transparent? Do we know any more about the actual price of art? Ben Luke is joined by Georgina Adam, an editor-at-large at The Art Newspaper and art market specialist, to discuss transparency and the market.
Also this week, we talk to David Blayney Brown, the curator of Turner’s Modern World, a new show at Tate Britain in London.
And in this episode’s Work of the Week, the artist John Stezaker talks about a grisaille painting, Christ and the Woman Taken in Adultery, by Pieter Bruegel the Elder, in the Courtauld collection but currently on display at the National Gallery in London.