
Louisa Buck
Louisa Buck is the contemporary art correspondent at The Art Newspaper
The relationship between the generic and the individual is at the heart of Opie’s digitally produced work
Increased attendance, sales, and quality marks a good year for the fair
Cities provide the context for many of the 20th century’s most important innovations, but are also environments in which literature, music, art and thought merge, split or collide with one another. Tate Modern’s first major exhibition since opening ambitiously comprises nine sections, 13 curators and 1,500 works spread over two floors. The display combines the scale and global scope of an international biennial with the historical perspective of art’s most varied century
Louisa Buck’s choice of London contemporary galleries
Appropriation, whimsy, balletomania, and anglophilia all go into Kilimnik’s installations
The artist talks about truncation in art and life as his show opens at White Cube2
Dresdeners at White Cube2, Anselm Kiefer at D’Offay
Whitechapel curator goes .com, more power into art and Juan Muñoz is the next artist for Tate Modern
Iconic interiors at Gagosian, pucker and slide at Mummery, some great British grub at Holdsworth, painterly lavatory walls at Anthony Reynolds, strange girlish doodles at Cabinet, while Vic Reeves turns artist at Percy Miller
Tate Modern continues to dominate the London scene, but gets spread around in more ways than it bargained for
Meanwhile there is clutter in the Cabinet, recent Kossoffs at Annely Juda, and randomised exactitude at Corvi-Mora
Leaving an after-Tate
Sadie Coles in an eastward position, the Lisson and Tim Taylor times two, photography at Frith Street and Maureen Paley, plus powerful juju at Anthony Reynolds
An exclusive interview with The Art Newspaper about the closely guarded secret: the thinking behind how the Tate Modern has arranged its art
Andrew Mummery powers up in a new gallery, Victoria Miro provides a sneak preview of her new space , and a Volkswagen van invades a front room in Camberwell
The number two position at Tate Modern might satisfy most curators but Blazwick has given it up to direct the Whitechapel Art Gallery
Victoria Miro is moving to a nice area and Gagosian is heading for Heddon Street
Gagosian opens in London, Art goes underground in Waterloo and at home in Camberwell
Maurizio Cattelan kicks out at English football, Paolini frames “the author” at the Lisson Gallery and Halley sticks to paint
The new sole executor of Bacon's estate talks in his first public interview about the teams of lawyers now working to see that the artist’s beneficiary, John Edwards, receives precisely what Francis intended him to receive. And that is everything
Is the gift an act of virtuous self-regard?
Tony Cragg goes wild at the Lisson, Emily Tsingou gets repetitive and Manchot’s middle-aged mum is at Zelda Cheatle
London artists Tracey Emin, Gary Hume and Gillian Wearing play bit-parts
The heir to the British painter’s works changes galleries from Marlborough to Tony Shafrazi
Amid the frenzy of Stockholm ‘98, the museum's new director takes art seriously
The sculptor won the Turner Prize in 1991