
Louisa Buck
Louisa Buck is the contemporary art correspondent at The Art Newspaper
Her familiar clay objects may be joined by new works in other media
Last year Michael Landy meticulously catalogued and then destroyed all his material possessions. For his latest show he has photographed and etched the plants that grow spontaneously throughout the city
Essenhigh talks about her switch from enamel to oil, the difficulties of making pretty pictures and the ominous undertow of her paintings
An act of censorship or tact?
The artist talks about her trials as a woman in a man’s field, the female way of working, her free-floating wackiness and making movies
Hume talks painting, why he relishes a little melancholy, and what he learned from working with Stella McCartney
Comedian Tony Hancock is revealed as an artist, Tracey Emin makes movies and Anthony D’Offay does a film course
The artist uses kitchen utensils and household objects to charge domestic settings with danger
Leading dealer throws party for Tate’s Andy Warhol show
The video work will be displayed alongside other new photographic work
Speaking to the artist who immerses himself in the Northern Irish situation and responds to its shifting sense of reality
Now on display at the Lisson Gallery
The artist reflects on the combination of autobiographical content and common experience in her work
“Design issues seem more relevant to me than most that come up in the art world,” the artist says
"Magic is one of my ongoing interests"
Belgium's representative at this year's Venice Biennale explains why pigeons are not symbols of peace, how he depicts violence without actually showing it and why he returned to painting
Our overview also reveals the highs and lows of this year's biennale, which draws heavily on Scandinavian artists and pays tribute to grand masters Serra, Beuys, Twombly and Richter
The duo dislike art that only the art world can understand and explain their campaign to be different
Georgina Starr moves galleries and Magnani goes east
How her paintings have the limitations of bodies
Painting pushed into new places at Victoria Miro and The Approach and seismic shifts at asprey jacques as the Chapmans explore their feminine side at Modern Art
The evergreen aesthetic attraction of nothingness is explored and Anish Kapoor’s book replaces a vanished work
Unsettling excesses at Stephen Friedman and various ponderings on places and no-places at Milch, Corvi Mora, Timothy Taylor and Emily Tsingou
These works of art take a global perspective and are literally geologically based
Epic list-making at Gagosian and a sombre investigation of society at the Lisson
In the meantime, ignore false reports of a Britart movie
Disillusioned and sick of heavy-handed art that tries to shock, the artist has now turned to kitsch and sentimental themes
Meanwhile, Tracey Emin pushes up the bids in Islington, and there are rumblings at the Royal Academy