Curation
Kim Conaty, curator of prints and drawings at the Whitney Museum, promoted to chief curator
She was the curator of the museum's blockbuster Edward Hopper and critically acclaimed Ruth Asawa exhibitions
Women artists gain wall space at Tate Britain as museum rehangs collection
Popular galleries dedicated to Pre-Raphaelite artists and JMW Turner will also be rehung with new rooms dedicated to John Constable and William Blake
New Instagram feature could allow users to ‘curate’ their grid—but the art world is not so sure (even the curators...)
Social media site may allow users to reorder the images they post, but does it mess with the whole idea of Instagram?
Wanted: £48k curator to shake up British Museum's permanent displays and ‘give greater prominence to Africa’
London institution is advertising two new job roles to help deliver a radical curatorial initiative known as 'Reimagining the British Museum'
Old Masters meet Brutalism: inside Frick Madison in New York
Plus, the story of a notorious forger and artist Collier Schorr on August Sander
Wanted—curator of the British Pavilion at Venice Biennale (who will work for £12,500)
Hong Kong-based data analytics chief Shane Akeroyd will sponsor the associate curator post for a ten-year period
How to organise a biennial in the Covid era
Bangkok Art Biennale director on grappling with coronavirus constraints and displaying "sensitive" works
Supermodel Claudia Schiffer turns curator for Dusseldorf museum
Exhibition will recall the “intense and wonderful” 1990s fashion scene with photographs by Juergen Teller, Corinne Day and Karl Lagerfeld
DIY curating: UK galleries mount virtual shows on lockdown using new digital tool
Art UK's Curations initiative enables “anyone anywhere with internet access” to create an exhibition using the national image database
The show must go on: what American curators are up to in isolation
How have curators been filling their time while their museums remain closed? Creatively, it turns out
How museums are stepping up exhibition design
A wave of innovative exhibition design has graced our museums in recent years. What are the keys to holding the viewer’s gaze?
Come on in, make yourself at home at the V&A
Elmgreen & Dragset install a house at the Victoria and Albert Museum
Praise for Tate Britain rehang
The move from a thematic hang to a chronological one has been celebrated by critics
Books: How Warburg helped to invent the exhibition—and the curator
The art historian’s collected writings include an illuminating essay drawn from his dazzling, lengthy lectures
The big hole in Britain’s National Gallery: Bring back the Victorians
The omission of paintings by the Pre-Raphaelite Brotherhood could be rectified by judicious loans
Tate Britain opts for chronological hang with refurbishment project progressing
The galleries are set to reopen in May after funding goals were reached
Interview with Elmgreen & Dragset on staging their newest work: “Actors are playing us, but we might interfere”
The artists on splitting up but staying together and why they are putting their lives on stage
No, not Madonna the singer in the V&A's new Medieval and Renaissance galleries
How the Victoria & Albert Museum’s new Medieval and Renaissance galleries have dealt with our ignorance of Christianity
Saving the ephemeral art gallery: The director of Tate Liverpool on preserving institutional history
'History is unpredictable, and we cannot know which obscure artist or minor exhibition may once be regarded as a groundbreaking historical event'
New Museum show of trustee's collection is an insult to scholarship and curators
Private-collector museums
The Art Newspaper discusses the fine line between curating and promoting
It is almost impossible for a museum to mount a contemporary exhibition without the involvement of the artist's dealer
Director of German contemporary art museum explores his “Carte Blanche” approach to private collectors
“What is often described as the ‘undue’ influence of collectors and dealers is less of a threat than the noticeable tendency for these parties to lose interest in public institutions”
German museum under fire for ceding control of exhibitions to dealers and collectors
Gallery director says private sector must be courted, not alienated
V&A opens its £5.4m Islamic gallery
The new display is entirely funded by the Jameel family of Saudi Arabia
New acquisitions go on view at Tate
Tate Modern's first rehang includes Marlene Dumas
MoMA reveals restock of its contemporary galleries in yearly rehang
Around 50 new works are on view, including 16 examples never before seen at the museum
New strategy for Art Basel includes the selection of thematically linked works by dealers
Curation will be promoted over serendipitous choices by Art Cabinet, a scheme debuting at Art Basel/Miami Beach
The brilliantly intelligent, new British Galleries should succeed in putting decorative arts and the museum itself back on the map
If architecture is the mother of the arts then this is the whole family
Interview with museum director and curator Udo Kittelman: “The curator should never be more important than the artist”
The new director of Frankfurt’s Museum of Modern Art is self taught (he trained as an optician), curator of the German pavilion at this year’s Venice Biennale, and passionately involved in contemporary art