InterviewMaurizio Cattelan
'Art's most high-profile provocateur' Maurizio Cattelan on his new Blenheim Palace show
Known for this dangling horse and gold toilet, the Italian artist's exhibition is in the unlikely setting of Winston Churchill's birthplace
FeatureFrieze New York 2019
Out and proud: Stonewall at 50
Art After Stonewall, a touring exhibition of works covering gender, sexuality and Aids, shows how queer culture was shaped by the Stonewall riots
FeatureArt's Most Popular 2019
Art in the age of Instagram and the power of going viral
As visitors to exhibitions are increasingly sharing their experiences online, should curators plan shows for maximum hype?
FeatureExhibitions
How museums are stepping up exhibition design
A wave of innovative exhibition design has graced our museums in recent years. What are the keys to holding the viewer’s gaze?
FeaturePhotography
Edward Woodman: the light and space of a golden era
UK retrospective freeze-frames often ephemeral works from the 1980s and 1990s
InterviewFeatures
Larry Poons: Art isn’t business
The octogenarian painter stars in The Price of Everything, a new film about the machinations of the market airing on HBO
InterviewFeatures
Troubled waters: Elmgreen & Dragset dive into politics for new London show
The Scandinavian duo build a swimming pool in the Whitechapel Gallery and address their anger at populist leaders
InterviewFeatures
Taus Makhacheva: art as a balancing act
She discusses her tightrope of Dagestani art and how she is combining beauty treatment and sculpture at the Liverpool Biennial
FeatureArt Basel 2018
Is the biennial model busted?
Riga, Bangkok, São Paulo—every modern city wants a biennial. But is this good for contemporary art? Leading curators join the hot debate
FeatureMarcel Duchamp
What was it like to conduct Marcel Duchamp's only live television interview?
Fifty years on, Joan Bakewell remembers speaking to the pioneering artist for the BBC, shortly before his death
FeatureArt Dubai 2018
Is interest in African art on the rise in the Middle East?
An increased presence of African galleries at this edition of Art Dubai could signify a flourishing regional market
InterviewFeatures
Tacita Dean on her three major London shows
From genre fluidity to the British artist's love of analogue film
InterviewArtist interview
Yinka Shonibare: a change in the wind
Central Park is an ideal location for the British-Nigerian artist’s latest sculpture
FeatureLost art
Lost art: Field of the Cloth of Gold
Noah Charney on the hundreds of works that were described those who saw them as wondrous, but which were only ever meant to be temporary
PreviewFeatures
East German ‘arseholes’ are reappraised
The painter Georg Baselitz once profanely dismissed artists behind the Iron Curtain—but their work is now experiencing a long-overdue rediscovery
FeatureArtist interview
Mark Dion: Welcome to my Wunderkammer
The US artist discusses theatricality, science and the need for a greater environmental commitment in art
FeatureLost art
Lost art: Rogier van der Weyden’s Justice cycle
Noah Charney on works that were more influential to history than those that survive
PreviewArtist interview
Lydia Ourahmane on why she made a work about her grandfather pulling all his teeth
The Algerian-British artist explores her family’s experiences living in the shadow of colonialism
FeatureVictoria & Albert Museum
A new era for heritage reproduction
Digital technologies are at the heart of a declaration by major museums and heritage organisations to record and sometimes reproduce works of art
FeatureGoogle
How Google became a major producer of cultural content
The Google Cultural Institute’s We Wear Culture fashion stories are its latest museum collaboration, its director Amit Sood tells us.
FeatureArt Basel in Miami Beach
ARTificial intelligence
A string of shows across the US, starting in Miami, examines the impact of technology on identity and raises the question: what does it mean to be human?
FeatureArt Basel in Miami Beach
Miami’s museum makeover
The city’s art scene has grown beyond recognition in the past few years, but can it sustain so many institutions?
FeatureFeatures
Riders on the storm
How dedicated staff at PAMM and Vizcaya braved Hurricane Irma to keep the museums and collections safe
NewsProtest
'In Russia, either be brave or be silenced… there is no middle ground'
Russian art patron Igor Tsukanov has created a show at the Saatchi Gallery about artists who have risked protesting against conditions in Russia since 1991
InterviewArtist interview
Oscar Tuazon: Living as a sculptural process
The Los Angeles artist, who made one of the standout works at this year's Skulptur Projekte Műnster, is heading for the great outdoors
InterviewArtist interview
Judy Chicago: Catwoman
As three exhibitions open showcasing her work, including her Kitty City watercolours, the Los Angeles-based artist talks about being at the centre of a revival of interest—and having her early life story turned into a TV series
FeaturePolitics
The sculptures that unite America
As the debate rages about divisive Confederate monuments, five leading US scholars and curators pick the nation’s greatest memorial sculptures
FeatureFeatures
Encore! Tate’s New Performance plan
Artists like Marvin Gaye Chetwynd have prompted a rethink in the Tate’s approach to live art
FeatureFeatures
Venice can’t manage its tourists—yet it’s encouraging more to come from China
The town council proposes digital monitoring and a charge to enter St Mark’s Square
FeatureFeatures
On the side of the angels
Vittorio Scarpati made a series of bold drawings in a New York hospital before he died of Aids, which also claimed the life of his wife, the writer and actress Cookie Mueller. Teeming with “piles of angels”, Scarpati’s drawings are being shown for the first time in 25 years in London this month
FeatureArtist interview
Jenny Holzer: Words of Conflict
As three new commissions open this year in the UK and Abu Dhabi, the US artist reflects on the continued dominance of war as a theme in her work and says she longs for Trump to be “in the past tense”
FeatureFeatures
Summer art pilgrimages
Artists and curators tell us about the journeys they have embarked on, or hope to make, to see something special. Compiled by Ben Luke
FeatureArtist interview
David Lamelas: time zones
The peripatetic Argentinian artist has explored memory, space and time in works made across the world. In September, his first full career survey opens in Los Angeles as part of the Getty’s Pacific Standard Time: LA/LA initiative
NewsFeatures
The importance of being Ettore Sottsass
Diverse work by the larger-than-life designer who rejected Modernist good taste goes on show in Basel, Venice and the Met soon
NewsExhibitions
Venice Biennale: triumphs and talking points
Leading figures give their impressions of Christine Macel’s main show, Viva Arte Viva, and their pick of the national pavilions
FeatureFeatures
Nairy Baghramian: check your privilege
As she features in Documenta 14 and takes centre stage in Münster this summer, the Berlin-based artist discusses her approach to these major public exhibitions and the need to be wary of sensation and spectacle
FeatureFeatures
Frank Lloyd Wright: a force of nature
As MoMA’s show of his vast archive confirms, the self-proclaimed “world’s greatest architect” was an inspired talent-spotter, employing brilliant female assistants
NewsFeatures
Freeing Tania Bruguera
The artist takes a turn on the psychiatrist’s couch in a new documentary by Lynn Hershman Leeson that delves into the psychology of government oppression
NewsFeatures
Frieze New York gets theatrical
For this year’s Frieze Projects tribute, four artists will recreate and riff on Galleria La Tartaruga’s historic Teatro delle Mostre exhibition, which turned experiences into works of art
FeatureFeatures
Symbiotic siblings: Alberto and Diego Giacometti
As a major survey opening this month at Tate Modern confirms, Alberto Giacometti’s reputation as a 20th-century great is assured. But his younger brother Diego’s role cannot be overlooked
FeatureFeatures
Death, destruction and deity: painting Guernica
As exhibition opens in Madrid, new research shows how Picasso was inspired by church paintings to create Spanish Civil War rallying cry
FeatureFeatures
Cerith Wyn Evans: Light Fantastic
As the Welsh artist fills Tate Britain’s Duveen Galleries, ahead of showing in Venice and Münster later in the year, he talks about his varied inspirations, from Duchamp to Japanese Noh theatre
FeatureFeatures
The Antarctic Biennale: a crazy idea becomes reality
In little more than a year, the artists and scientists—and, crucially, the funds—have been gathered for a unique biennial. The journey begins this month
FeatureFeatures
The other lives of artists
The exhibition Michelangelo & Sebastiano at the National Gallery in London reflects the younger artist’s sharp decline in production once he became keeper of the papal seal. But second jobs did not stop Rubens and Velázquez painting
Feature
The art machine: the Centre Pompidou at 40
As the Parisian cultural behemoth hits a landmark anniversary, figures from the world of art and architecture discuss its legacy
FeatureFeatures
‘Paintings untethered to notions of taste or intention’
It was love at first sight when the artist David Salle first saw Francis Picabia’s strange, late paintings based on magazine pin-ups, which are now on show at MoMA. Salle describes their provocative appeal
FeatureFeatures
A museum for a time of doubt
Over a decade in the making and due to open in 2017, the Louvre Abu Dhabi has evolved into a museum that has gone beyond being merely a showcase for historical European art into one that is a truly global institution reflecting a new kind of universalism
FeatureFeatures
Remembering the ‘mud angels’
The Italian floods of 1966 prompted a strong—and lasting—international response
FeatureFeatures
Philippe Parreno creates a public ritual at Tate Modern
As he takes on the Hyundai Commission in the Turbine Hall, the French artist on exhibitions as works of art, why he dislikes the word “installation” and engaging with Londoners
FeatureFeatures
New museums: the rise of cryptic cathedrals of the cosmos
Charles Jencks revisits his article written for The Art Newspaper in 2000 to survey how museum architecture has evolved since the millennium. Then, Frank Gehry’s Guggenheim Bilbao ushered in an era of spectacular buildings designed for mega-collections. As the Louis Vuitton museum in Paris, designed by Gehry, plays host to the Shchukin collection from Russia, Jencks charts the diversity of secular cathedrals, or “enigmatic signifiers”, worldwide
FeatureFeatures
Getting digi with it: how the art world is grappling with new media
As new technology is increasingly adopted by artists, can curators and collectors keep up?
FeatureFeatures
William Kentridge: an animated life
As a major show and opera come to London, the South African artist reflects on his multimedia installations’ disparate influences, from his homeland’s politics to Wallace and Gromit
FeatureFeatures
A cerebral matter: the common ground between brain science and art
Eric Kandel’s new book finds similarities in the approach of neuroscientists and abstract painters
FeatureFeatures
How to give artists life after death
A new book advises executors and heirs that managing artists’ estates can be a painful and exacting process
FeatureFeatures
Unveiled: Rodin’s adoration of a young english actress
Sybil Mignon Cooke left a touching wreath at the sculptor’s London memorial during the First World War. A new cache of letters, analysed here for the first time, reflects the extent of their affection
FeatureFeatures
Ragnar Kjartansson: New Romantic
As a major show of his work opens at London’s Barbican, the Icelandic artist discusses his fascination with Romanticism and explains why he gets his mother to spit in his face every five years
NewsAuctions
New York sales cool but don’t freeze
Auction results were stellar 12 months ago, but sense and caution meant the houses had to work hard for more sober results this time round
FeatureFeatures
How the Spanish Republic saved the Prado’s masterpieces
General Franco ensured that his left-wing enemies got no credit for protecting hundreds of works by Velázquez, Goya and others in the Spanish Civil War—but their efforts were heroic
FeatureArt market
William Hamilton’s prize possession
A new book on the history of private collectors describes how Emma Hamilton became inextricable from her husband’s often erotic collection of ancient art
FeatureFeatures
What academics can teach us about Isil
The Warburg Institute’s director is tapping into its founder Aby Warburg’s approach to historical images to explain Daesh’s shocking brutality
FeatureFeatures
La Bella Principessa: still an enigma
The forger Shaun Greenhalgh’s boast that he made this chalk drawing may be fantasy, but claims that it is the work of Leonardo continue to be seen as equally dubious
NewsFairs
Art on film: why filmmakers are drawn to artists
Movies about artists may not be nailed-on money-spinners, but more and more are appearing—and some are even box-office hits.
NewsFairs
Move over Chelsea and Brooklyn: Harlem is where the art is
Real-estate price hikes have hastened the development of a northern gallery hub
FeatureFeatures
The fine art of craft
London Craft Week celebrates makers from across the world in more than 120 events. Five of the 200-plus makers at the festival tell us about their work
FeatureFeatures
Volkswagen: the motor of a global arts network
The German car-maker takes cultural sponsorship very seriously, as shown by its arts education policy and links with MoMA
FeatureFeatures
How art went back to basics
Fifty years after its opening, the pioneers of Minimalism recall the groundbreaking exhibition Primary Structures
NewsArt market
Museums and the art trade: dangerous liaisons?
The relationship between public institutions and private dealers has historically taken many forms, and is anything but simple
FeatureFeatures
Singapore show adds Southeast Asia to the story of Modernism
The new National Gallery Singapore joins forces with the Centre Pompidou
FeatureFeatures
Do Ho Suh: the fabric of life
As shows of his work open at opposite ends of the US, the nomadic Korean-born artist explains how his coloured cloth installations reflect his transient existence
FeatureFeatures
DADA: 100 Years On
Horrified by the slaughter of the First World War, the Dadaists espoused irrationality to ridicule the logic that had led to war. But Dada’s influence has stretched far past 1918
FeatureFeatures
Mark Wallinger: ‘Facing up to myself’
The UK artist has been doing some soul-searching. He tells us about his latest works, partly inspired by Freud, and his own experiences of psychoanalysis
FeatureFeatures
Welcome to the virtual world
With the ground-breaking Oculus Rift virtual-reality headset hitting the mainstream later this year, a growing number of artists and museums are incorporating this and other new technologies into their work
FeatureBooks
My father and music: how Mark Rothko’s love of Mozart made his paintings sing
In an extract from his new book, Christopher Rothko explains how the master of abstraction absorbed the stylistic principles and emotional contradictions of the 18th-century genius
FeatureFeatures
Tehran: Soft Power, Hard Bargains
With its infamous Modern art collection, a Tehran museum has enticed international curators and struck lucrative deals with institutions in the West. But has it sparked a wider renaissance in the Tehran art scene?
FeatureFeatures
John Akomfrah: Sea Change
As his Venice Biennale film makes its UK debut, the British film-maker discusses growing up as a communist, the perennial issue of human migration—and why he has moved away from cinema and towards art