Art Basel
Art Basel
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The long-term project begins laying ground work with a crowdfunding campaign next month
Art Basel honours the Lithuanian-American artist who survived Hitler’s labour camps
Dealers seem to have come to terms with the pressures of showing at such a prestigious fair, and prepared well ahead of time
As art events crop up all over the world, A-list events are no longer an imperative for dealers
Bob and Roberta Smith’s crusade against cuts is bringing politics and mayhem to the Swiss fair
Ai Weiwei has created a new work for Warsaw that will be invisible to the public
New one-off inclusion includes works by Abramovic, Ono and Nauman
Survey, which will debut at Art Basel Miami Beach, uses Frieze Masters as its template
The fair's long-term goal has been to crack the Chinese market
Artists weigh in on exhibiting at both events in quick succession
Only around 25% of the dealers at Art Basel are female, but women are giving no quarter as the playing field begins to level out
Basel's best kept secrets, told by artists, curators, dealers and connoisseurs
The fair is one of the final Modern and contemporary events this summer
The co-founder of Herzog & de Meuron architects on remodelling Messe Basel and the end of Modernity
Slowly but surely, the fair’s newest edition is beginning to make strides
Art Basel '13 fair report
But will the wider market and museums buy in?
The fair keeps the flavour of its predecessor, ArtHK, but the galleries have changed
The New York Dealers Alliance attempted to bar its exhibitors from future editions of Nada should they also take part in Untitled
Joint director takes overall control of fairs
The mood at Liste was buoyant, and business at Volta was steady
Art Basel '12 fair report
They contributed to more than 100 lights and classic pieces occupying the booths
Is there enough time, energy and art for three major events—Frieze New York, ArtHK and Art Basel—in six weeks?
It will be situated in Porquerolles, near St Tropez, and be funded by the Cermignac Gestion Foundation
Visitors to Parreno’s Beyeler show get a copy of his “black garden” film. The DVD will expire but the plants live on
Documenta, Manifesta, La Triennale and the Kiev Biennale strike a different tone to the art market
Many galleries acknowledge that supply is a problem, with artists under pressure to produce more work
A 'more selective' preview is planned for this year to avoid last year's melee, but many of the same faces have returned