Art fairs
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Exhibitors cater to the luxury goods crowd but fine art still takes centre stage
Following a rift in membership, dealers vote to double frequency of event
Seven highlights from this year's edition of the London fair
The Art Newspaper team shares its favourite works at the fair
Immersive video is inspiring artists—but getting to grips with the technology can be tricky
Academic says globalisation has 'hardly had an impact' on the fair
Essays on the critic and curator Lawrence Alloway give a minor figure too much credit
From a painting once owned by Ernst Beyeler to an American soldier’s wartime memento, older works at the fair often have a rich history to reveal
Museums have learned to preserve the unusual materials in Joseph Beuys's works
Around 300 pieces from the Swiss organisation's sizeable art collection is on display at the Schaulager
Curator of the Greek biennial's fifth edition, Katerina Gregos, is not afraid to tackle thorny issues
Carmen Herrera, now 100, is the subject of an inspiring new documentary
Computer animation, 3D printing and aerospace software are fast becoming tools of the trade for artists
In east central Europe private collectors are leading the way, both promoting local talent and bringing international art to their countries
Partnerships are on the rise as ways to sell the moving image proliferate
Paula Day speaks to The Art Newspaper about being shocked at the misue of her parents' name
An intimate portrait of 95-year-old Brutalist architect Gottfried Böhm and his remarkable family
Dealers from Switzerland acknowledge they need to be aware of buyers’ budgets at the fair
Great architectural photographers have moved far beyond mere documentation
Artist’s response to looting of Egyptian Museum puts widespread cultural destruction and political violence into sharp focus
The Art Newspaper's editor picks her selection from this year's fair <br>
Works dealing with race relations are hard to miss at this year's fair
Roles in flux as patrons establish private museums and foundations or work directly with artists
The hanging sculpture was previously owned by the New York-based patron Agnes Gund
