Fair director insists that there are still shortcomings to be addressed after discussions with dealers
Stockpiled works in large spaces is a risk too far for some
Galleries such as Gagosian and Matthew Marks see opportunities, despite small collector base
As stands teem with the wooded and leafy, dealers try to explain the trend at this year's fair
A major redesign has increased the space substantially and produced a radically different layout
The market has recalibrated, but major pieces spark highly charged bidding wars
A loss of 60 galleries does not seem to have affected morale as the fair returns with redesigned space and more dealers
Collectors look for safe options in a turbulent market
Houses keep their heads above water with wider international selection
Rembrandt, Domenichino, Raphael and Van Dyck all on offer, but how many will remain in the UK?
Both have adopted marketing strategies more typical of luxury goods firms than artists. In 2009 we looked at their market history
Collector says a signed work from the same series confirms his work is genuine
New research poses more questions than answers over possible attributions for items that were withdrawn from March sale
Saatchi sells two Kippenberger paintings
Does a crop of major presentations coinciding with the art fair indicate a proportionate energy in the market?
Castlestone plans 18-month buying spree while prices remain low
During the Great Recession in 2009 we reported that gallerists must act "quickly and brutally" in order to survive
Meanwhile, a new show organised by the mysterious artist proves to be a blockbuster
Buyers eschew risk-taking to pursue the commercial, while Design Miami/Basel benefits from a new location
Brothers raise cash with a few pictures from their extensive collection
Mixed results as contemporary art nosedives while earlier works avoid the worst
Despite state subsidies and heavy promotion, not everyone is feeling the benefit
The paintings were appraised after a Goodwill employee spotted the pair
The collectors add work by Pascale Marthine Tayou to their extensive collection
Representatives of the Seoul Design Foundation have contacted founder Craig Robins requesting his presence in Korea
Shirazeh Houshiary on identity, spirituality and the excess of gimmicks in contemporary art
Dutch school of design is in the ascendant as the fair commences off Messeplatz
Exhibitors wary of investing in weak market, while community groups oppose Scope tent on public open space
An equivalent was not to be found at Art Basel, which upheld tradition in its biped-only selection
Artists, buyers, sellers, organisers, critics and restaurateurs have recorded their memories of Art Basel’s first four decades