A bank robbery and its portrayal in the film “Dog Day Afternoon” are the materials used by Huyghe to explore how fantasy shapes memory
The Englishman in New York on his latest inventions and why he would have made a rubbish YBA
The US artist on her shift to abstraction and being a happier person
Appropriation, whimsy, balletomania, and anglophilia all go into Kilimnik’s installations
The artist talks about truncation in art and life as his show opens at White Cube2
As the Japan Society presents a retrospective of Yoko Ono’s work, she talks about the avant-garde in the 60s and her latest work
“Making a message; giving a message”
The group of international, web-based, artists is bringing its witty blend of conceptual, digital and performance art to New York
The upcoming Met exhibition presents the whole career of the photographer famous for his images of the Depression
Kiki Smith responds to recent attacks on her work by Met director Philippe de Montebello
Clement Greenberg said he was “the greatest painter” alive; then in the 70s the world stopped talking about Jules Olitski
The American artist talked about working to commission, exploring the creative tension between figurative and abstract art, his debt to artists of the past and his views on artists of today
The American artist, forty-three, represents the US at the Venice Biennale this year
She sees herself as a sculptor and rejects any links with Arts and Crafts descendant, Bernard Leach
The artist speaks ahead of his upcoming Dallas exhibition on his varied historical influences
Multiple common sense courtesy of Xerox
After sacrilege and violent death the artist whom the moral majority (minority?) love to hate, is now into explicit sex
Kirkeby speaks to The Art Newspaper about making space in the Duveen galleries and the influence (or lack thereof) of geology and Jung
The artist's technique has changed from photo-realist air-brushing to collage, dot-painting, and more recently, to thickly painted grids
The sculptor won the Turner Prize in 1991
On the occasion of his Guggenheim retrospective, the artist talks about his globe-trotting approach to “the adventure of art”
Riley speaks of the fortuitous events that led to the upcoming exhibition at Tate and the significance of Mondrian's artistic evolution
A conference will be held in London this month on the state of sculpture and its teaching in Britain
The American artist, who has lived in Britain for the past 35 years, is celebrated with a large exhibition at the Tate
From 4 April to 18 July the Palazzo Grassi is showing a 300- work exhibition by Pontus Hulten of the work of Marcel Duchamp, the artist whose ideas have pricked through the whole history of twentieth-century art. Here we publish one of his last interviews, made in 1966
From 4 April to 18 July the Palazzo Grassi is showing a 300- work exhibition by Pontus Hulten of the work of Marcel Duchamp,the artist whose ideas have pricked through the whole history of twentieth-century art. Here we publish one of his last interviews, made in 1966
The artist gives a rare interview ahead of his Tate Gallery retrospective, weighing in on Pop Art and the Pop revival and the need for quality judgements in art and consumer society
“Pathos means longing; yes, longing and feeling that wonderful things are possible but not really happening”
Talking about his readymades and his most complicated work “The large glass”, now in Philadelphia, Duchamp reflects on how little he meant to people in the late Fifties, when the painterliness of Abstract Expressionism ruled