He talks to The Art Newspaper ahead of his upcoming show at White Columns
The duo dislike art that only the art world can understand and explain their campaign to be different
Telling universal stories about love, insanity, and death through film and music
How her paintings have the limitations of bodies
Charles Saatchi and Eli Broad both collect him, but only 13 US museums have examples of this artistic rebel’s work
These works of art take a global perspective and are literally geologically based
Disillusioned and sick of heavy-handed art that tries to shock, the artist has now turned to kitsch and sentimental themes
The adventurer, war hero, metalworker, sculptor, and political activist talks about Paris in the 1950s and his work in Mexico
The relationship between the generic and the individual is at the heart of Opie’s digitally produced work
A bank robbery and its portrayal in the film “Dog Day Afternoon” are the materials used by Huyghe to explore how fantasy shapes memory
The Englishman in New York on his latest inventions and why he would have made a rubbish YBA
The US artist on her shift to abstraction and being a happier person
Appropriation, whimsy, balletomania, and anglophilia all go into Kilimnik’s installations
The artist talks about truncation in art and life as his show opens at White Cube2
As the Japan Society presents a retrospective of Yoko Ono’s work, she talks about the avant-garde in the 60s and her latest work
“Making a message; giving a message”
The group of international, web-based, artists is bringing its witty blend of conceptual, digital and performance art to New York
The upcoming Met exhibition presents the whole career of the photographer famous for his images of the Depression
Kiki Smith responds to recent attacks on her work by Met director Philippe de Montebello
Clement Greenberg said he was “the greatest painter” alive; then in the 70s the world stopped talking about Jules Olitski
The American artist talked about working to commission, exploring the creative tension between figurative and abstract art, his debt to artists of the past and his views on artists of today
The American artist, forty-three, represents the US at the Venice Biennale this year
She sees herself as a sculptor and rejects any links with Arts and Crafts descendant, Bernard Leach
The artist speaks ahead of his upcoming Dallas exhibition on his varied historical influences
Multiple common sense courtesy of Xerox
After sacrilege and violent death the artist whom the moral majority (minority?) love to hate, is now into explicit sex
Kirkeby speaks to The Art Newspaper about making space in the Duveen galleries and the influence (or lack thereof) of geology and Jung
The artist's technique has changed from photo-realist air-brushing to collage, dot-painting, and more recently, to thickly painted grids
The sculptor won the Turner Prize in 1991