Richard Wentworth’s mid-career survey at Tate Liverpool is more of a remix than a retrospective

Tracey Emin’s new exhibition concentrates on her work as a filmmaker in which she usually takes the starring role

American artist’s most recent piece is based on three years of research on the internet

Flanagan chooses to depict hares rather than people to steer away from the dominance of the portrait

The Californian post-conceptualist plays the role of artist, curator and collector in his latest piece

Absence is as important as presence in Mark Wallinger’s new works on show

E.V. Day on thongs, Stealth Bombers and why her latest work stretches elasticity to its limit

Four exhibitions devoted to the Pop pioneer open this November, including a retrospective at the Guggenheim

Long’s latest show is a collaboration with Indian tribal artist Jivya Soma Mashe

Damian Loeb’s work relies on the viewer’s recognition of the visual sources that he quotes liberally

The last summing up, two months before he died, by the greatest Irish painter of the 20th century in an interview with the photographer Francis Giacobetti

John Wood and Paul Harrison’s minimal, deadpan performances make complicated references to the art world of the past—with a dash of slapstick

Ryman has been painting white on white for more than 50 years. He talks about how his paintings work and which shade of white he uses

Indiana has emerged from his Maine retreat to claim his rightful place alongside his more famous contemporaries

As major exhibitions of his work open in London and Barcelona, Hamilton explains his boredom with the London art scene, the lineage of his tables and his undying debt to Marcel Duchamp

The French artist on playing chess with Duchamp and collecting his own work

Last year Michael Landy meticulously catalogued and then destroyed all his material possessions. For his latest show he has photographed and etched the plants that grow spontaneously throughout the city

The foremost figurative painter of his generation, talks about his passionate commitment to the art

Essenhigh talks about her switch from enamel to oil, the difficulties of making pretty pictures and the ominous undertow of her paintings

'I am a photographer and I quite often get sent to photograph wars, I report on the human condition'

Cooper is mapping out a metaphysical space with his images of oceans, forests, rocks and sky

The artist talks about her trials as a woman in a man’s field, the female way of working, her free-floating wackiness and making movies

Hume talks painting, why he relishes a little melancholy, and what he learned from working with Stella McCartney

Trained as a neurobiologist, his art is about ways of seeing both physiological and as affected by the high-tech visions around us

The artist uses kitchen utensils and household objects to charge domestic settings with danger

“We exist in a state of barbarity, where art is on the point of not loving art”

Like the Surrealists, Dunham believes that his unconscious dominates him as he works

The high camp survivor who was friends with all the legends

Adrian Dannatt talks to a well primed young painter