As an exhibition of photographs of Jeremy Deller’s project We’re Here Because We’re Here begins its tour of the UK, Jenny Waldman reflects on how this modern memorial caught the nation’s imagination

If culture agencies dodge the fatal bullet, they should focus on collection-sharing and investment in bricks and mortar

A stroke of a ministerial pen saved Liverpool’s collections 35 years ago—the same needs to happen again

Project to repair Anglican building brought Muslims and Christians together

Expert opinions concerning attribution and authenticity are fundamental to art history

Belgian capital is being hyped as the next big art hub but it still lacks a proper "scene"

Jordan Wolfson’s sculptures depend heavily on special effects studios

The conversations are better, the public is enthusiastic, and there is enough, but not too much art—and it’s good

After years of delay, the UK government is on track to become a world leader in wartime heritage protection

Why a show in Berlin of Tehran’s superb collection of Modern art is a crucial part of Germany’s foreign policy

Devolution or even independence could create a stronger Tate Modern and Tate Britain after Nicholas Serota’s departure

The plan to scrap the A-level examination is disastrous and must be challenged

Judge's findings reveal what to look out for in art transactions

The Royal Photographic Society’s collection needs a strong advocate within the museum if ambitious plans for its future are to be realised by Martin Roth’s successor

Trial in The Hague of Islamic extremist reminds us that the destruction of built heritage and human life are often linked

As Cuba opens up to the US, the island’s outstanding Modern architecture faces a new threat

A year on from Alan Kurdi's death, only Germany has lived up to Europe's moral imperative to welcome Syria's refugees

Auction of the late art critic’s collection inspires sadness­—but excitement too

Denver exhibition shows how many women were movers and shakers in the New York School from the start

A relentless focus on economics has stopped us discussing the intangible things we need

Artists, architects and curators tell us about the spaces they love—and hate

Author and museum founder delivers video message to international museum conference in Milan

Bendor Grosvenor says Britain leaving the European Union could be costly for the arts and art market

The hedge fund manager and art collector J. Tomilson “Tom” Hill III explains why a work’s staying power is more important than its market price

The Nobel Prize-winning neuro-psychiatrist Eric Kandel explains what happens when we look at art