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Why a show in Berlin of Tehran’s superb collection of Modern art is a crucial part of Germany’s foreign policy
Devolution or even independence could create a stronger Tate Modern and Tate Britain after Nicholas Serota’s departure
The plan to scrap the A-level examination is disastrous and must be challenged
Judge's findings reveal what to look out for in art transactions
The Royal Photographic Society’s collection needs a strong advocate within the museum if ambitious plans for its future are to be realised by Martin Roth’s successor
Trial in The Hague of Islamic extremist reminds us that the destruction of built heritage and human life are often linked
As Cuba opens up to the US, the island’s outstanding Modern architecture faces a new threat
A year on from Alan Kurdi's death, only Germany has lived up to Europe's moral imperative to welcome Syria's refugees
Auction of the late art critic’s collection inspires sadness—but excitement too
Denver exhibition shows how many women were movers and shakers in the New York School from the start
A relentless focus on economics has stopped us discussing the intangible things we need
Artists, architects and curators tell us about the spaces they love—and hate
Author and museum founder delivers video message to international museum conference in Milan
Bendor Grosvenor says Britain leaving the European Union could be costly for the arts and art market
The hedge fund manager and art collector J. Tomilson “Tom” Hill III explains why a work’s staying power is more important than its market price
The Nobel Prize-winning neuro-psychiatrist Eric Kandel explains what happens when we look at art
A necessary restriction or a betrayal of everything the museum stands for?
James Cuno, the president of the Getty Trust, says the world must find ways to intervene and protect antiquities when nation-states cannot do so <br>
How Los Angeles dealer Douglas Chrismas leveraged his property to attract artists, reassure clients, and generate income—even while facing financial disaster
But some archaeologists argue for conserving what is already uncovered
The father of psychoanalysis may have fallen from favour in his own field, but today’s artists remain fascinated by his work, 160 years after his birth. Two academics and an artist explain why
As the Tate and National Gallery consider the limits of their collections, Giles Waterfield on the latest in a 200-year wrangle between institutions <br>
In seeking to carve out our own architectural identity, we are in danger of destroying the precious work of previous generations
Anyone with a Facebook profile should consider the images of destruction they share on social media
