The Maastricht show, which has been described as “a bit like the Davos of the art world”, has a unique position in the fair world—as well as being a place for selling art, the not-for-profit supports dealers and cultural NGOs
The waning adventurousness in these spaces speaks to important shifts in the trade over the past two decades
Exhibitions pairing Munch with Paula Modersohn-Becker and Maria Lassnig provide opportunities to subvert the established order
With shortened attention spans and constant technological distractions, some museums are getting rid of labels altogether
And the audience matters just as much as the artwork
The idea of making luxury more democratic seems both noble and impossible
Although it spared Kingston, the storm caused $9bn in damage and wiped out most of the heritage buildings and museums in the areas it touched
Playful events such as Lyndsey Ingram’s ‘Bourdon Street Chippy’ are a gateway to higher spending, writes Melanie Gerlis
Alexander Herman asks if export rules set up three-quarters of a century ago can still be fit for purpose
This year museums are falling over themselves to celebrate Robert Rauschenberg’s 100th birthday. But, asks Julia Halperin, who is it really all for?
The human-resources, talent and recruiting agency Verge helps institutions reach their long-term goals through a bit of introspection
Gareth Harris, author of ‘Towards the Ethical Art Museum’, shares advice on how museums can ethically navigate increasingly tumultuous times
David Attenborough’s new documentary “Ocean” and the activist group Ocean Rebellion are harnessing imagery in the fight against marine destruction
As the Getty wraps up its third edition of this initiative, it is time to address a persistent problem
As London’s National Gallery launches its “once-in-a-lifetime” rehang, Ben Luke asks: what is the right shade behind the art?
Auction sales for contemporary and Modern African art have declined—but African art fairs are still going strong
The cost—financially and environmentally—of preserving works of art can be huge. Perhaps it is time to rethink how we look after them
The choreographer’s formal gestures and patterns make him crucial to contemporary performance art
The V&A director on the dangers of the cash-strapped cultural organisation disappearing
Jeremy Ellis’s ancestors were among the 110 enslaved people who survived the last known Transatlantic voyage in 1860
New technology will support artists as they produce enquiring new work
'The so-called “gateway drug” effect of luxury has been overstated'
Long-term buyers are going to fewer fairs while the growth in numbers is from people less likely to buy
2024 highlights from Ben Luke, The Art Newspaper's contributing editor
This exhibition successfully traverses the terrain of art and geopolitics—an area often littered with clunkiness and earnest failure
American artist Jafa's recent video work recontextualises Wonder's song 'As' as well as the film 'Taxi Driver'
The institution, which is about to welcome the first students to its new home, takes a refreshing and genuinely democratising approach to art education
All change as the final auction season of 2024 goes into full swing
Concerns about access, expertise and data sourcing have overshadowed the enormous power and potential that AI image generators offer
Jorrit Britschgi, executive director of the Rubin Museum of Art, on ‘embracing non-attachment and impermanence’