Joannou's collection, which is particularly strong in installations and large scale work, can be seen in the Athens School of Fine Arts
An installation by Matthew Barney inaugurates a programme of innovative contemporary art long planned by Serota
The colony’s first artist-in-residence appeals to new local collectors
Twelve American dealers and seventeen private collectors invited
Despite lukewarm predictions and no blockbuster items there was increased buyer confidence
England's stately homes embrace Davey and Goldsworthy
Exhibition, “Under the Sign of the Red Cross”, showing works by Rozhdestwjenski, disciple of Suprematist founder Malévich, is one of many before "Premierentage"
Music Television and Madonna sponsor her late lover
Whitney director, David Ross, gambles on his political correctness
A busy month for Brussels
What is the point of restoring modern art? Is it reasonable to treat a Rauschenberg as if it were a Leonardo?
Back to the future
Francis Bacon’s “Pope” fetches top price at Sotheby’s
Serra celebrates at Gagosian’s while Grey Gallery plays dress-up
Contemporary art dealer affirms his confidence in the artists he works with by doubling the gallery space at the Lisson
“The Interrupted Life” explores themes of mortality in contemporary art
Nick Serota launches into a new policy towards international contemporary art
Including Tinguely’s farewell “Collaboration” at Galérie Beaubourg
A useful, market-serving guide to thirty young British artists
Defending his acquisitions and looking to the future, Serita talks on exhibitions and an international outlook
As “Sensation!”, the exhibition of the Saatchi collection of young British art, opens at the Royal Academy we ask what drives Saatchi to buy, and risk, so much
The Art Newspaper was given access to the Saatchi archive to chart the transformations of this world famous collector’s taste
Only a severely controlled environment will preserve many works of twentieth-century art
Serota seeks new sponsor for embattled competition