Aristocrat Toshio Hara is admired by museum directors, such as Nick Serota of the Tate, for his contemporary art museum
The Art Newspaper has uncovered a forgotten episode in which the young Serota clashed with the trustees of the Tate over the Young Friends’ exhibitions
Pigs not caught in flagrante delicto and women wrestling with balloons are just some of the delights at this multi-venue biennale curated by Rosa Martínez
It is fifty years since this collector and essentially American philanthropist was turned on to art while at Harvard. He has been an integral part of the art establishment in Chicago for decades
The president and executive director of Knoedler’s encourages collectors to become museum patrons and supplies major museums with works of art
The group of international, web-based, artists is bringing its witty blend of conceptual, digital and performance art to New York
The pull of past traditions is juxtaposed with the push of digital innovations
The Houston international photographic biennial is the only event of its kind in the US
Shows include the first retrospective of images by Hiro at Pace/MacGill and Todd Eberle's computer portraits
An interview with one of the curators of this year’s Whitney Biennial as his sculpture exhibition moves south of the Texan border
Kiki Smith responds to recent attacks on her work by Met director Philippe de Montebello
The contemporary fair switches on to new technology
And a group of exhibitions, about Duchamp, Balthus and Basquiat, coincides with new art book releases this autumn
Marcia Tucker, the founding director of the New Museum of Contemporary Art, New York, reviews her work of the past twenty-two years
100 collectors have been flown in for the contemporary art event
The American artist talked about working to commission, exploring the creative tension between figurative and abstract art, his debt to artists of the past and his views on artists of today
The Biennale director who launched the “Aperto” section for young artists is now replacing it with “d’Apertutto” as the theme of Biennale ‘99
Industrial strength beer cans at Holly Solomon and post-industrial landscapes at Joseph Rickards
John Drewe probably faked as many as 200 pictures, tampering with archive material and duping the experts
£6.2 million goes to the new Tate at Bankside before next years opening.
“I believe the future of this museum lies in the depth of its commitment to contemporary art,” says MoMA director Glenn Lowry
Art centre reopens with a retrospective of Ettore Sottsass and a homage to Leonardo
100 galleries make their yearly migration
Eli Broad speaks about how he cultivates culture in Southern California
A fair in its infancy, Art Forum proved fruitful for younger dealers with affordable art, although its concurrence with Yom Kippur did not help matters
A defence of the Helion 'hoax'
Computer-glitch software, Norton Utilities, has made the fortunes of Peter and Eileen Norton
Art Basel ’98 fair report
Zwirner turns his gallery into a sports bar for the World Cup
In 1998 we reflected on Sotheby's and Christie's recent move to sell cutting edge contemporary art as being a watershed moment