More evidence is scrutinised
However, a complaint lodged against Guy Cogeval, Antoine Salomon and Mathias Chivot was met with a counter-suit arguing that evidence had been fabricated
Trial of Marion True continues with more evidence against her presented in court
The Art Newspaper reports on the events of the continuing trial
After initially refusing , the true price was eventually disclosed
However, both True and co-defendant Robert Hecht were absent
“Morally, this is a gain for Austria” not a loss, says Maria Altmann
Christie’s is owed $14 million and there are over 100 other creditors
The British collector has lost the case over his lease on the riverfront space
The settlement terms remain confidential
Marion True made a surprise appearance on the first day of the trial
Marion True has resigned from the museum and the institution is to return three artefacts to Italy
The announcement comes as the collector and his Japanese landlord face one another in court
The case, which is the result of a decade-long investigation by Italian police, has been delayed because crucial documents had to be translated
Chicago collector agrees to pay claimant to gain title to the work
Collector sues family trust which had withdrawn the artist’s belongings from sale
Is it time for reform? Murky dealings came to light in 2005 as more collectors began to enter the scene—and brought their cases to court
A Muslim trust in Agra, where the Taj Mahal is located, has claimed ownership of the monument
The heirs of Kazimir Malevich are claiming 14 works which the Dutch institution sent on tour to New York and Houston
He was promised preferential treatment (and paid for it) but was then left out of almost all sales
Maria Altmann had urged an earlier trial date while in dispute with Austrian government
The Justices rule six to three in favour of Maria Altmann. She can now pursue her case in American courts
Lawsuit against Kimbell Art Museum was dismissed last November
Postponement is due to document translation troubles
Their problems could be blamed on the troubled stock market or an ongoing lawsuit between the directors and the executor of the bequest
“The museum is committed to fostering a diverse workplace and is an equal opportunity employer,” it said.
The question of what exactly the artist would have wanted is ultimately unanswerable, and therefore liable to cause friction
Controversy over statue which dates from 1850-1720 BC
"Nude in the studio" and "Bouquet of flowers" were commandeered by French court officials at the Maastricht fair
Magnificent Man Rays turn out to be too good to be true, throwing doubt over other collections of his work