Museums & Heritage
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The Outset/Frieze Art Fair Fund's budget of £150,000 saw 28 works enter the collection
A complete list of Tate's acquisitions from the last two years, and what they paid for them
Money comes in, openings on course
Legendary dealer is thought to own 700 works worth £100m
Next year's schedule is packed with big names
In an unprecedented move, the gallery has published the cost of all its purchases for the last two years
Changes to US tax law could discourage collectors from giving
The Charity Commission is now investigating all acquisitions made from artists while they were serving as trustees
Designed by Herzog & de Meuron, this addition to the museum will provide much needed exhibition space
Neither will the National Gallery’s Ambassadors which was judged too fragile to travel across London
September launch will complete “Grand Louvre” project
Japanese enjoy art more than French, says curator of Lille Métropole Museum of Modern Art
The new display is entirely funded by the Jameel family of Saudi Arabia
Tate Modern's first rehang includes Marlene Dumas
The British Museum, Christie’s, the National Art Collections Fund and the Inland Revenue, among others, were all fooled
MLA director apologises as Tate reserves right to decide over national accreditation—without loss of privilege
Spain's La Caixa follows in Tate's footsteps
The Tate Triennial might be a critical damp squib, but the veteran artist Cerith Wyn Evans made sure the opening went with a bang
As it is not accredited by the Museums, Libraries and Archives Council due to its deacquisition guidelines
Putin looks to UK to save listed buildings
Trustees discuss idea following our report
The Tate could not raise the money to buy this unique portfolio. Will a US museum save it before it is dispersed at Sotheby’s?
Redesigned space will open in March
Meanwhile the Charity Commission investigates purchase of The upper room
After Tate resisted the release of the sums paid for Ofili's 'The Upper Room', Tate will now more often disclose the price of works bought from artist-trustees.
Construction has been halted on the Simon Wiesenthal Center’s contentious new project
Commission sum disclosed for Tom Phillips, unlike the purchase of "The Upper Room"