National Gallery
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Out of a total of £193m, Tate's gifts by the likes of Hockney, Hirst, Bonnard and Bacon total £147m
The Virgin of the Rocks minus fog
After five years of research and conservation, Leonardo's masterpiece is once again looking its best
In his first interview since taking over, the new director outlines his priorities
The National Gallery is now trying to raise the funds to buy it
Valued at £11.5m, the preliminary sketch for The Apotheosis of King James I is now up for sale
Leading organisations to abolish reproduction charges for scholarly publications
We uncover the remarkable story of how a US war reporter governed Hitler’s mountain retreat for a day and took control of Reichsmarschall Göring’s collection of stolen art
The painting was taken from Germany at the end of World War II
Meeting between museum directors results in increased flexibility whilst borrowing pictures outside the 1900 division
Neither will the National Gallery’s Ambassadors which was judged too fragile to travel across London
Trustees discuss idea following our report
The move would put the institution in competition with Tate
Infra-red examination shows abandoned original design
Still excluded from the material was correspondence we had requested relating to the final price of £22 million
The Raphael was bought by the National Gallery for £22 million in February 2004
Fragility of panels has made museums reluctant to lend
A lottery grant of £11.5 million may not be enough to keep the painting at the National Gallery
“The Madonna of the pinks” may have been painted for a nun in Perugia
Tate and the National Gallery reverse longstanding softly, softly policy over purchases to try to retain masterpieces
Government policy promotes Free Admission
The California museum has bought the Duke of Northumberland’s “Madonna of the pinks” for $50 million
As Neil MacGregor joins the British Museum as director next month, we publish a valedictory interview with him about the experience he gained leading the National Gallery
The National Gallery of Art
After its showing in New York, Baron Rolin’s “Young woman at a virginal” has been accepted as plausible enough to be included in the London stage of the exhibition, but some scholars have yet to be convinced
The publication of a new monograph on Caspar David Friedrich neatly coincides with the opening of the National Gallery’s exhibition of 19th-century German paintings on loan from the Nationalgalerie, Berlin
Metropolitan Monet subject to claim