National Gallery
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The omission of paintings by the Pre-Raphaelite Brotherhood could be rectified by judicious loans
The volume is a compendium of papers presented at the Gallery in September 2009
Where next after Leo-mania?
An exhibition catalogue that is erudite, sound and elegant—but for scholars, not the general reader
The music depicted in Portrait of a Musician, 1485-88, currently on loan to the National Gallery, London, may have been composed by the artist
A new exhibition includes the newly discovered painting, ratifying it as the genuine article
How the National Gallery negotiated a record eight loans including a long-lost canvas, Saviour of the World
Proof of changes to the composition increases scholarly support
Out of a total of £193m, Tate's gifts by the likes of Hockney, Hirst, Bonnard and Bacon total £147m
The Virgin of the Rocks minus fog
After five years of research and conservation, Leonardo's masterpiece is once again looking its best
In his first interview since taking over, the new director outlines his priorities
The National Gallery is now trying to raise the funds to buy it
Valued at £11.5m, the preliminary sketch for The Apotheosis of King James I is now up for sale
Leading organisations to abolish reproduction charges for scholarly publications
We uncover the remarkable story of how a US war reporter governed Hitler’s mountain retreat for a day and took control of Reichsmarschall Göring’s collection of stolen art
The painting was taken from Germany at the end of World War II
Meeting between museum directors results in increased flexibility whilst borrowing pictures outside the 1900 division
Neither will the National Gallery’s Ambassadors which was judged too fragile to travel across London
Trustees discuss idea following our report
The move would put the institution in competition with Tate
Infra-red examination shows abandoned original design
Still excluded from the material was correspondence we had requested relating to the final price of £22 million
The Raphael was bought by the National Gallery for £22 million in February 2004
Fragility of panels has made museums reluctant to lend
A lottery grant of £11.5 million may not be enough to keep the painting at the National Gallery
“The Madonna of the pinks” may have been painted for a nun in Perugia
Tate and the National Gallery reverse longstanding softly, softly policy over purchases to try to retain masterpieces