Van Dyck or copies? The curious case of the socialite, the scholar and the Old Masters
Full frontal Freud: a deep dive into the life and work of the raw, unflinching portraitist
‘Are you going to be a witness or are you going to be a bystander?’ A new true-crime podcast examines Ana Mendieta’s shocking death
The podcast’s host, curator Helen Molesworth, discusses Mendieta’s work, life and death—and what at times resembles an art-world cover-up
Is art censorship on the rise? How freedom of expression is being curbed across the globe
Brazil turns 200—and its National Museum rises from the ashes
A brush with... Zadie Xa
A brush with... Lina Iris Viktor
Summer of Seoul: why the South Korean capital is a new art world hub
Documenta 15: why is the show so scandalous?
A brush with... Megan Rooney
Francis Bacon: why Tate returned a 1,000-piece archive
A brush with... Dominique Gonzalez-Foerster
A brush with... Emma Talbot
New podcast reveals lives of queer 19th-century women through letters of photographer Alice Austen
"My Dear Alice" explores, through hundreds of letters written to the unheralded artist, the romantic correspondences of Victorian-era women
New shows reveal how Picasso was inspired by the Old Masters
A brush with… Stan Douglas
The hunt for looted Cambodian objects—are they hidden in the West's museums?
Frieze Week in New York: mammoth auction sales and a shifting art fair landscape
Saving Ukraine’s heritage: an eyewitness account of relief efforts
America's racial reckoning: inside the controversial Guston show
Macron wins: what now for the French art scene?
The best of the Venice Biennale: our critics’ review
Plus, artists Francis Alÿs, Sonia Boyce, Shubigi Rao and Na Chainkua Reindorf on their national pavilion shows; and a Bellini masterpiece
Photographer Edward Burtynsky on his Ukrainian heritage and our 'predator species running amok'
A brush with... Nari Ward
Review: Does the Whitney Biennial really reflect the world today?
Plus, the exhibition Afro-Atlantic Histories opens in Washington and Raphael's late self-portrait at London's National Gallery