A brush with... Zadie Xa
A brush with... Lina Iris Viktor
Summer of Seoul: why the South Korean capital is a new art world hub
Documenta 15: why is the show so scandalous?
A brush with... Megan Rooney
Francis Bacon: why Tate returned a 1,000-piece archive
A brush with... Dominique Gonzalez-Foerster
A brush with... Emma Talbot
New podcast reveals lives of queer 19th-century women through letters of photographer Alice Austen
"My Dear Alice" explores, through hundreds of letters written to the unheralded artist, the romantic correspondences of Victorian-era women
New shows reveal how Picasso was inspired by the Old Masters
A brush with… Stan Douglas
The hunt for looted Cambodian objects—are they hidden in the West's museums?
Frieze Week in New York: mammoth auction sales and a shifting art fair landscape
Saving Ukraine’s heritage: an eyewitness account of relief efforts
America's racial reckoning: inside the controversial Guston show
Macron wins: what now for the French art scene?
The best of the Venice Biennale: our critics’ review
Plus, artists Francis Alÿs, Sonia Boyce, Shubigi Rao and Na Chainkua Reindorf on their national pavilion shows; and a Bellini masterpiece
Photographer Edward Burtynsky on his Ukrainian heritage and our 'predator species running amok'
A brush with... Nari Ward
Review: Does the Whitney Biennial really reflect the world today?
Plus, the exhibition Afro-Atlantic Histories opens in Washington and Raphael's late self-portrait at London's National Gallery
A brush with... Cornelia Parker
Has the art market recovered? A deep dive into the Art Basel/UBS report
A brush with... Mark Leckey
Metropolitan Museum of Art director Max Hollein sets out his vision for the future
A brush with... Ali Cherri
How Donatello changed art history forever
What can the arts do to help Ukrainian refugees?
Ukraine: the response of the art community and the risks of photojournalism
Artists’ studios: the fight for affordable spaces
A brush with... Ai Weiwei
An in-depth interview with the artist on his cultural experiences and greatest influences, from Marcel Duchamp to ancient Chinese ceramics—and why Romanticism is not for him