In the second part of our interview with Storr, he considers the question of how to make the historic event truly representative of today’s global art world
Tate acquires edition of video shown at this year’s Venice Biennale
Some claim that a good reception at the Biennale ensures an artist's name is stamped in market memory
Billionaire is set to open new Venice museum in 2009
European museums are at the fair, but some dealers say that US institutions are less prominent
Art Basel '05 fair report
The difference in experiences offered by each of these iconic fairs, and the symbiosis this leads to
The story of Gregor Schneider’s installation for St Mark’s Square
Controversy over Venice Cube project
The star of 'Cabaret' looks on as his wife, photographer Pat York, steps into the limelight
Attendees could find themselves in front of too candid a camera
Political video is strong in both, but the variety of art is greater in Basel
Appointment of Maria Corral and Rosa Martinez announced
Less circus, more focus at the Venice Biennale
Art Basel '03 fair report
Long live the united nations of the arts?
The seasoned curator will now turn his attention to the direction of the Modern and contemporary art fair
Belgium's representative at this year's Venice Biennale explains why pigeons are not symbols of peace, how he depicts violence without actually showing it and why he returned to painting
The new director of Frankfurt’s Museum of Modern Art is self taught (he trained as an optician), curator of the German pavilion at this year’s Venice Biennale, and passionately involved in contemporary art
This year has served as a good barometer of the Modern art market
Our overview also reveals the highs and lows of this year's biennale, which draws heavily on Scandinavian artists and pays tribute to grand masters Serra, Beuys, Twombly and Richter
The director of the world’s top modern and contemporary art fair prides himself on the new talent it has discovered
The American artist, forty-three, represents the US at the Venice Biennale this year
Collectors came out in force, but much of the art on show was not as exciting as that seen at Venice or offered by the auction houses
The Biennale director who launched the “Aperto” section for young artists is now replacing it with “d’Apertutto” as the theme of Biennale ‘99
This year marks a comeback, but there is still room for improvement