Whitney Museum of American Art
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Visitors should not rush through the Los Angeles artist’s mid-career survey at New York’s Whitney Museum
Questions about identity abound in the travelling retrospective of the American artist’s work
The museum presented its proposal for the public work at a community board meeting Wednesday night—and early reactions were positive
Their largest edition yet spans the globe looking at what makes American art
Charles Jencks revisits his article written for The Art Newspaper in 2000 to survey how museum architecture has evolved since the millennium
The museum’s new programme Open Plan will present large-scale installations by Michael Heizer, Andrea Fraser and others
Critical conviction regarding Stella's work has fallen with the quality of the art
Leonard Lauder’s decision to leave the institution coincides with launch of $680m fundraising campaign
Tate’s US patrons applaud the destruction of cake effigies, while MoMA makes life difficult
The museum's new director has assembled his curatorial team and is preparing to steer it on a radical new course
Gallery shows of Hesse’s fragile sculptures are rare
Compare and contrast the last decade of the master's oeuvre
Few dealers, scarce material, but a growing audience
Ossian Ward investigates European and US perspectives and the issues of conservation and ownership
Kiki Smith responds to recent attacks on her work by Met director Philippe de Montebello
The Calder foundation cites fears concerning authenticity
“Sunshine and noir” explores the dramatic contrasts of Los Angeles as seen through the art produced there over the past forty years
The major show chronicles the many faces of Warhol's fascination with fame
On the one hand, official recognition, on the other, the problem of fakes
Books versus Basquiats?
The artist's complicated oeuvre makes it hard to judge if some works are forged - or if instead he was just having an off day
The tobacco giant remains one of the most important private funders of the arts in the US
Collection leasing provides a fundraising alternative for some museums, and a surrogate permanent collection for others
Music Television and Madonna sponsor her late lover
Whitney director, David Ross, gambles on his political correctness
The selection of the tobacco corporation as first winner is testament to its long-term relationship with the museum
David Ross, the new director reveals his ideas
After Warhol and Johns, it’s the turn of the globe-trotting
