The Art Newspaper
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Buyers eschew risk-taking to pursue the commercial, while Design Miami/Basel benefits from a new location
£3.3m required for export-delayed object
Discreet approaches have been made to dealers who represent black, Hispanic, Asian and women artists
Meanwhile, Gavin Turk works the market and Tim Marlow directs
Koons talks to us about the artists who inspire him, his studio system, and what he hopes to communicate to the public through his work
The Moyland Castle Museum closed the exhibition but plans to appeal
The author is hindered by his own technique
Greek industrialist joins painting and sculpture committee
A study of US arts policy and the ideology of denazification in post-war Germany
Organisers have transferred the atmosphere of Miami to Basel with the addition of a pool alongside the bar
An equivalent was not to be found at Art Basel, which upheld tradition in its biped-only selection
Criminal activity was ruled out when the sound was found to be the result of something being accidentally knocked over
The long time friend and collector of Rauschenberg has seven up for sale
Strives to break restitution “logjam”
Strives to break restitution “logjam”
The artist discusses his work, politics, censorship, “fake art” and the Beijing Olympics
Has collectors' passion for Basel's protégés cooled?
The narrative, performed by an amateur cast, will be played out at underground movie theatre Kino Mascotte due to its adult themes
The fair will stray from the well-known to focus on the search for the next big thing
The faux-ethnographic sculptures may be the gallery's most expensive contemporary art purchase
A major new museum to be built in eastern India is being largely supported by commercial galleries and corporate collections
Themed events at the fair include, “Armed and Dangerous” and “The Wartime Ball”, taking place this weekend
Emotional responses were elicited by Michael Stevenson and Andy Warhol
From 1954 to 2007
Strong buying at this year’s fair, but good works are getting harder to find
Kapoor speaks of his fascination with reflective surfaces and how they interact with their environment
The Danish artist, whose Weather Project transformed Tate Modern, discusses his building for the Serpentine Gallery