The long-delayed London survey is a revelatory tour de force that charts the twists and turns of the Canadian-American artist's 50-year career

An influential figure in the New York scene of the early 1950s, Sanders spent the latter half of the decade in Europe and consequently was often left out of narratives of the AbEx movement

The native Brooklynite, fêted in Europe, figures prominently on Nathalie Obadia’s stand at the fair

Our roundup of the latest art publications

An ambitious exhibition at London’s Whitechapel Gallery will celebrate the female artists from around the world who, against the odds, helped redefine art in the post-war period

The untitled 1961 painting, by Chippewa artist George Morrison, is the first by a Native American member of the New York School movement in the NGA’s collection

After rising to prominence in New York’s AbEx scene of the 1950s, Leslie devoted much of his career to honing a style of monumental figuration that was decades ahead of its time

The Chinese American artist, who died at age 62 in relative obscurity, is the subject of an illuminating exhibition at the Asian Art Museum in San Francisco

The nonagenarian painter Sheila Isham and the estates of Albert Kotin and Norman Carton—all first-generation AbEx artists—are now represented by Taggart, who will show their work at Art Miami

A solo stand of the second-generation AbEx artist’s work gives a fuller picture of her evolution over more than 50 years

The artist was a New York School painter and longtime fixture of the New York art world who Robert Rauschenberg considered a “mentor”

Morrison, whose work remained rooted in the landscape even as it evolved from figurative to quasi-Fauvist to Abstract Expressionist, was a pioneering figure in Native American modernism

Simultaneous shows in New York and Philadelphia cover the artist's seven-decade career and include more than 550 works in total

Exhibition on the Abstract Expressionist includes little-known paintings and explores the influence of poetry on her work

New publications cast a light on two formidable women artists and place them at the heart of Abstract Expressionism

Her monochrome mosaics using cement, gemstones and sometimes teeth are now on view in New York

Her memoir, entitled The Girl Who Loved Artists, is yet to be published

The book by Robert Storr delves into the American painter's dealings with Klansmen and how he wanted “to make paintings you couldn’t count money in front of”

New digital publication argues that the late US artist is the “unacknowledged equal” of her superstar husband

Second volume of a wide-ranging biography gives us the fun-loving, sophisticated man, as his work developed from delicate mobiles to firmly grounded ‘stabiles’

Lifeline/Clyfford Still sheds light on the Abstract Expressionist who despised critics, condemned the work of his contemporaries, and was admired by many

Exhibition continues the re-evaluation of the Abstract Expressionist who spent too long in the shadow of husband Jackson Pollock

First exhibition in Austria reveals Abstract Expressionist’s identification with the work of the Old Masters

The museum will show the underrecognised African American artist's work alongside pieces by his contemporaries

Exhibition in Paris attempts to draw connections between the Impressionist and Pollock, Rothko and friends—with mixed results

The Baltimore Museum of Art and SFMoMA are co-organising the show, which looks at the person and process behind the abstract works

The amicus brief signed by more than 100 museums should shame the justices of the US Supreme Court

US artist was first of New York group to create large-scale paintings—before Jackson Pollock

In court documents, Knoedler lists the buyers and prices paid for works brought to the gallery by Glafira Rosales