Abstract Expressionism
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Second volume of a wide-ranging biography gives us the fun-loving, sophisticated man, as his work developed from delicate mobiles to firmly grounded ‘stabiles’
Lifeline/Clyfford Still sheds light on the Abstract Expressionist who despised critics, condemned the work of his contemporaries, and was admired by many
Exhibition continues the re-evaluation of the Abstract Expressionist who spent too long in the shadow of husband Jackson Pollock
First exhibition in Austria reveals Abstract Expressionist’s identification with the work of the Old Masters
The museum will show the underrecognised African American artist's work alongside pieces by his contemporaries
Exhibition in Paris attempts to draw connections between the Impressionist and Pollock, Rothko and friends—with mixed results
The Baltimore Museum of Art and SFMoMA are co-organising the show, which looks at the person and process behind the abstract works
The amicus brief signed by more than 100 museums should shame the justices of the US Supreme Court
US artist was first of New York group to create large-scale paintings—before Jackson Pollock
The product of 9 months of restoration leaves no traces of graffiti ink
In court documents, Knoedler lists the buyers and prices paid for works brought to the gallery by Glafira Rosales
How a forgery scandal brought about the downfall of New York's most prestigious gallery
The ill-fated collection finally comes together
Several of the New York gallery's representatives have been indicted for engineering the sale of Abstract Expressionist forgeries
Rothko’s meditation on how to reconcile physical experience with ideas
The artist's late works show her escaping the Abstract Expressionists and creating a world of her own
His mythic heads and forms appear in paintings and drawings (1935-42) on show in New York
From Great British to stellar American art
Abstract Expressionism in the Hebrides
“Making a message; giving a message”
This book reveals how the CIA’s promoted US artists as a way of stopping the spread of Communism in the years after World War II
Clement Greenberg said he was “the greatest painter” alive; then in the 70s the world stopped talking about Jules Olitski
Purchased from artist's family, it is the most important work still in private hands
This marks the first in a series of planned loans of modern and contemporary American works from MoMA to the Hermitage
The artist speaks ahead of his upcoming Dallas exhibition on his varied historical influences
The biggest show of the artist’s work for over twenty years derails the view that his highly charged colour-field paintings were a reflection of his moods
Plus two offbeat takes on Abstract Expressionism
While women Abstract Expressionists come to Long Island, chilling still-lifes plus true confessions in Soho
Are we right to be so admiring of the work currently exhibited at the Tate
The greatest surviving Persian manuscript was swapped for Woman III, once owned by the Shah of Iran