Books
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David Ekserdjian learns more from a monumental monograph on father and son
An exhaustive survey of medieval elephant ivories raises the question of what is the best way to convey complex information, says Jane Jakeman
The Bohun manuscripts demonstrate how illuminated manuscripts were produced, says David King
Theodore K. Rabb looks at the Flemish artist’s “legacy” over nearly four centuries
The artist at last gets the recognition it deserves, says Alexander Adams
His most important works now take centre-stage
His outstanding collection secured his legacy, says Joachim Whaley
Clare Finn asks: What is forgery without the forgers?
Artists and architects talk at length about their work
Liedtke reflects on the continued importance of the Dutch Baroque artist
There is much to admire in the catalogue raisonné of C.R.W. Nevinson's work
Susan Jenkins in praise of Roubiliac
Alexander Adams looks at the mysterious proto-Symbolist painter
Howard Coutts on the work of the 18th-century collector and connoisseur
Jane Jakeman on art since the Arab Spring
John Martin Robinson on the art of heraldry in the 16th century
David Ekserdjian finds these new books timely and uplifting
Kenneth Powell locates G.F. Bodley in the Aesthetic Movement
Elizabeth Clegg discusses a new scholarly catalogue
Arthur Danto was enraptured by Sean Scully’s painting—but he was never sure how to explain why
Thomas Crow reflects on the difficulties of political and artistic restoration
A year of research reveals how nobles used theatrical interiors to show their collections
Denmark’s Asger Jorn was far more than a painter
The history of cultural destruction as a propaganda tool
The avid collector is trying to understand why acquiring art can be such a compulsion
Princeton University Art Museum has produced a catalogue on its Italian Old Master drawings
