Books
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Visual reproductions to capture nature
John Harris investigates the mainly US market for parts of European buildings
This account by the UK chairman of Sotheby’s is enthusiastic but superficial
Leading organisations to abolish reproduction charges for scholarly publications
A collection of interviews with museum employees—from director Philippe de Montebello to a café waitress—reveals few secrets
“I myself would like to be a poet”
A true story of love, war and madness
A reappraisal of the life of the first Duke of Chandos, patron, collector and philanthropist
Banksy’s rise from street artist to gallery star, embraced by the commercial art world, is by no means unique
Exhibition includes rare archival material
Will he be rescued from obscurity?
Three publications illuminate the subject of Tate Britain’s major exhibition
Given three months before his death, these last lectures are now in print
Meanwhile, doctors form an art club and Mimran takes on Type A
The late collector Heini Thyssen forced himself to forget his family’s Nazi involvement, but so did the countries that vied for his and his father’s pictures in the 1980s. This well documented book gives the details
'That’s no lady, that’s my wife…'
Investigations of domestic doings down the ages
Love him or hate him? Whatever…
Publishers will also be able to download images directly from the website
Was Picasso gay?
Confusing, criminal, but very virile
Not as bad as he has been made out to be
Reconsiderations of Simeon Solomon, Marie Spartali and William James Stillman
"The picture he paints is one where the only people to have any legitimate interest in ancient art objects are closeted archaeologists"
The British collector Frank Cohen reviews a guide to the intricacies of buying new art
A new analysis suggests the artist was sending mixed messages in his work
Eva Hesse’s tragic vision and the multifarious works by artists in California
In the second extract from Adam Lindemann’s Collecting Contemporary, we learn that the most committed collectors also make the most money
Tom Atwood's new book reviewed