Cultural policy

Venice archive

Drilling will make Venice sink twelve inches, warn experts

This month Italian government reaches decision on national oil company’s plan to extract gas from Adriatic

The arguments for and against Unidroit

Our second Art Law Supplement examines cultural property export regulations; the legal loopholes in their international enforcement and the latest proposed solution: the controversial 1995 Unidroit Convention on Stolen and Illegally Exported Cultural Objects. We also deal with art and artists on the edge of society, in articles on censorship and the creations of the mentally ill

Descharnes wins back Dali rights from Spanish State

Dali's former secretary has been successful in his appeal

Tighter copyright legislation for EU nations?

Even the most hidebound museum or public institution has now woken up to new technologies

“This is Soviet-style imperialism”: Interview with Director-General of Berlin Museums, Wolf-Dieter Dube

Dube reacts angrily to Russian delays over restitution and responds to the opposition of Irina Antonova, veteran director of the Pushkin Museum

Newsarchive

Raphael looks after the arts: The EU's new programme for arts and heritage

While many details are yet to be fine-tuned, it should be ready to protect Europe's cultural treasures by the end of the year

Interview with Mikhail Shvydkoi on funding and restitution: “Sausage meat is not acceptable. Only culture in exchange for culture is valid”

Russia’s Deputy Culture Minister speaks about the need to establish a new cultural identity in the new Russia

Venice PLC

A company owned 51% by the town council and 49% by the Réunion des Musées Nationaux

The end of the Grands Projets

France's culture budget will see a 2.5% drop in real terms next year

European Parliament approves the Directive on the Restitution of Cultural Goods

There are concerns however about how effective or restrictive this regulation will be

East meets West at Goethe Institute conference—but the gulf on restitution issues is telling

Conference in Prague on public galleries and private collectors hears of thefts and restitution claims in Eastern museums

Count down to 1993 and the United States of Europe—are you prepared? Everything you need to know about the European Commission and the Maastricht Treaty

Read this and keep it if you’re an artist, a dealer, an auctioneer, a collector, a museum curator, an academic, a publisher, an advertiser, a sponsor, a restorer, an architect, a lawyer or an arts administrator—inside or outside Europe

Unidroit lawyers meet for international agreement on restitution of stolen works of art

Stumbling blocks: attempts to define “national treasure” and abolition of passage of title in “good faith” purchases

Austria to the aid of the Croatian heritage as war rages

Old historical ties revived as the Kunsthistorisches Museum, with government blessing, devises a conservation package

Lootingarchive

Looted art publicly acknowledged by Soviet Minister of Culture

A commission will be set up at Gorbachev’s behest to look into cultural property removed to U.S.S.R.

Ministers for the Arts meet to discuss art exports under new EEC regulations

Dondelinger proposes uniform controls on external borders and a restitution system

Newsarchive

Official Soviet circles consider the return to the West of World War II art treasures

Glasnost has unveiled the ill kept secret of thousands of works of art, of archives and libraries taken to the USSR

Newsarchive

New York art world battles proposed “slap in face” budget cut

The 56% cut means that nearly $25 million stands to be lost from an annual budget of $46.7 million

The full text of the Hague convention for the protection of cultural property in the event of armed conflict (1954)

Neither the U.S.A. nor G.B. have ratified it, despite having insisted, with Turkey, on the inclusion of an exemption clause for military necessity

The law of war: The Hague Convention as military necessity or military convenience?

The 1954 convention is the product of nearly a century’s thought about cultural property in which it is implicit that it is the heritage of all mankind

Art export law: DGIII still has the upper hand to the relief of the British

But the technocrats of DGXXI, the Customs and Indirect Taxation Department, are drawing up the next set of proposals. To find out what this means, read on