Exhibitions
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Doig, Kippenberger, Dumas, Tuymans, and Immendorf take centre stage at the collector’s gallery
How cristallo conquered the continent
Curator Ades aims to rehabilitate the artist as one of the great epic painters and thinkers of his generation
The State collection is the first in Germany to publish the source of works acquired during the Nazi era
Tracey Emin’s new exhibition concentrates on her work as a filmmaker in which she usually takes the starring role
Gilbert and George and Mickey Wolfson are among the enthusiastic collectors
The venture is backed by the Iraqi authorities, who have a stake in the newfound Iraq Project Company
Up until this point, the works were in the custody of a foundation established by the Im Obersteg family subsequent to their purchase
In 1973 the Tate wanted to buy Brancusi’s black marble “Bird in space” through dealer Richard Feigen, but the sale fell through because the trustees believed the work had been “smuggled” out of India
The international line-up includes projects in Libya, Iran, Israel and the Palestinian Territories
Highlights from the university's museum on show in 'Treasures from the royal tombs of Ur'
Meanwhile Britain's rugby hero, Jonny Wilkinson, brings sporting glamour to the BALTIC
The greatest royal collection after Britain’s—and still buying
An upcoming show of British contemporary sculpture could be the start of a productive cultural dialogue between Iran and the UK
London hosts the largest ever exhibition of this artist's work
On view 12 November - 13 December
The collector of works that are knotty, passionate, perverse and deeply personal talks about his tastes and his gift to the nation
Jablonka is running concurrent shows on two giants of the 20th century
The exhibition could raise money to repair the ransacked National Museum of Iraq
More new work from the first photographer to win the Turner Prize
William Giles stated that an essay by Robert Storr misrepresented Bontecou's work
The show is named “Here is elsewhere” since “most of the artists in the exhibition, because of their gender, sexual orientation, colour, or cultural background, speak from a critical position outside the status quo”
The artistic equivalent of standing in front of a tank
Exhibition at Tate Liverpool 2004
Excellence? Access? Go to “Gothic”