A sample of the collector's princely taste

As director of this centre for arts and media technology, Peter Weibel, says that media art can be more politically engaged because it relates to the new technologies and the new economic order

Art, acting, life, and Captain Haddock

Feverish visions at Coles and Tsingou, Childcare at Timothy Taylor and White Cube and the Russians are coming to Vilma Gold

“Un paese incantato" comes to London

This new exhibition explores earlier British art than ever before

It will be the first major exhibition devoted to Surrealism in over 20 years

A selection of shows at the leading contemporary and modern galleries

As other items become inaccessible to some collectors, many in the middle market have turned to textiles

The passing of the greatest German symbolist is commemorated

The exhibition on the Dutch master's female subjects will then travel to the Royal Academy

Bonnard, Vuillard, Denis and Roussel are assessed as distinct individuals, brought together by the shared conviction that “There are no paintings, just decoration”

A clever eye and sly humour at Throckmorton, Nash at Schickler, Bidgood at Paul Morris, Cook at Mitchell-Innes & Nash

Also on show are Mark di Suvero’s massive sculptures at Gagosian, and Charles Simond’s unfired clay at the Joseph Helman Gallery

Martin shares his love for modern and contemporary American art in new Las Vagas show, giving a personal touch via audio guide

Painting pushed into new places at Victoria Miro and The Approach and seismic shifts at asprey jacques as the Chapmans explore their feminine side at Modern Art

Art on the agenda at St Etienne, Powers’ Pop pics at Gagosian and all-American art at Adelson

“Battle lines: Canadian artists in the field, 1917-19” is on show now at Canada House

The Vasari of his field, Vever was himself a jeweller—though like Vasari he is better known for his writing

Charles Saatchi and Eli Broad both collect him, but only 13 US museums have examples of this artistic rebel’s work

The Tate and the Walker Art Center collaborate to show Arte Povera 1962 to 1972, from five years before the movement was defined by its impresario, Germano Celant

The expansive exhibition is on now at Palazzo Zabarella

The Museum of Contemporary History provides historical explanations for why war photographers took the pictures that they did

The director’s new scheme of quarterly changes will show more than just the work of local artists

Unsettling excesses at Stephen Friedman and various ponderings on places and no-places at Milch, Corvi Mora, Timothy Taylor and Emily Tsingou

Epic list-making at Gagosian and a sombre investigation of society at the Lisson

A weak exhibition that attempts to survey the Victorian legacy is partially redeemed by the accompanying book

Director James M. Bradburne is a passionate believer in new technologies

For his exhibition at the Serpentine, the conceptual artist has made an installation of art from the Victoria and Albert Museum and left its message open