Frick Collection

Frick Collection will vacate Brutalist Madison Avenue building in early 2024

The institution will reopen in its historic mansion, which is undergoing a $160m renovation, by the end of 2024

Acquisitions round up: Art Institute of Chicago acquires Magdalena Abakanowicz's horsehair wall hangings

Our pick of the latest gifts and purchases to enter institutional collections worldwide

New York's Frick Collection acquires its first-ever Renaissance portrait of a woman

According to the museum, the portrait by Giovanni Battista Moroni is “the most significant Italian Renaissance painting” it has acquired in more than half a century

Acquisitions round-up: two London museums jointly purchase a masterpiece of the Aesthetic movement

Our pick of the latest gifts and purchases to enter institutional collections worldwide

Frick Collection honoured for employing people with disabilities

The institution is the first New York museum to be honoured by the city’s mayor for its employment efforts

New York is rich in Arte Povera, from Pier Paolo Calzolari’s pandemic-era works to Piero Gilardi’s nature-inspired carpets

Two years after the death of art critic Germano Celant, who first coined the movement’s name, Arte Povera is making splashes in the city and beyond

Contemporary paintings will hang with the Frick’s Old Masters in new art series

Doron Langberg will pair off with Hans Holbein, and Salman Toor will join Vermeer in the Breuer building this week

Sargent, Goya, Degas: Frick Collection welcomes its most significant gift to date of works on paper

The 26 works, promised by a New York collecting couple, enhance the museum’s current holdings and add new artists to its collection

Three exhibitions to see in New York this weekend

From Julie Mehretu’s mid-career survey at the Whitney to the Frick Collection’s temporary encampment in the Breuer building

Beauty in the Brutalist beast: a critic's view of the Frick Madison

While the stark presentation of the masterworks creates a revelatory clarity, the exhibition also has a domesticating effect on the Modernist architecture

Old Masters meet Brutalism: inside Frick Madison in New York

Plus, the story of a notorious forger and artist Collier Schorr on August Sander

Hosted by Ben Luke. with guest speaker Vincent Noce. Produced by Julia Michalska, David Clack, Aimee Dawson and Henrietta Bentall

In Pictures: an early look inside the Frick Madison

Before the public opening on 18 March, see the startling installation of the museum's Old Masters collection in the Brutalist Breuer building

Frick Collection takes its jewels on a Brutalist sojourn

Evocative surprises await: while its Gilded Age home is closed for renovation and expansion, the Frick displays its masterworks in austere Modernist surroundings on Madison Avenue

Book Clubfeature

Read what Jenny Saville, George Condo and Victoria Beckham have to say about their favourite Old Master paintings

Exclusive extracts from a new book bringing together texts by 62 cultural figures describing their preferred works in the Frick Collection

New York's Frick Collection will open at Madison Avenue location in early 2021

After the Met vacates the Breuer building, the Frick will take over with a chronological presentation of masterworks

The master's hand: a treasured Vermeer gives up its secrets

Extensive scientific testing of the Frick’s Mistress and Maid proves that it was not finished by someone else

Celebrating a generous donation to the Frick, this booklet pays tribute to the donor and his gift

The Arnhold family began collecting Meissen porcelain in the 1920s and the heir has given more than 100 examples to the New York museum

Led by Metropolitan Museum of Art, a flurry of US museums say they are shutting down because of coronavirus

Institutions in New York, Boston and Washington underline the need to control the spread of Covid-19

Three exhibitions to see in New York this weekend

From Guercino drawings at the Morgan to meditations on Cézanne at Ceysson & Bénétière

Catalogue captures re-creation of the destroyed Tiepolo ceiling frescoes in Milan

Historic photographs and contemporary papers have been used in new book to re-imagine the cycle

Top five acquisitions in June

Our pick of the most significant new gifts and purchases to enter museum collections worldwide, from Damien Hirst's placemat portraits to Nari Ward's recycled shoelace installation

Culture Pass brings library patrons to New York museums—and now, museums to libraries

Branches across the boroughs are now hosting museums' educational programmes

Three exhibitions to see in New York this weekend

From Moroni's inventive portraiture to Hans Op de Beeck's dreamlike world

Three exhibitions to see in New York this weekend

Celebrate Thanksgiving with Luigi Valadier’s luxurious tableware, James Rosenquist’s Americana and a family-friendly show on Corduroy the bear

Met plans to leave Breuer building, making way for the Frick

The Brutalist structure will house Frick’s historic collection during expansion of its 70th Street home

Frick collection invites contemporary artist into its permanent galleries for the first time

Edmund de Waal's porcelain creations will open a dialogue with the historic art and furnishings and 'will not shock', curator says

Italy revokes export licence for the Frick Collection’s princely portrait by Gérard

Italian government claims licence application did not state portrait was of Prince Camillo Borghese

Nancy Kenney. with additional reporting by Hannah McGivern
Booksreview

Telling us why and how: a groundbreaking study of Veronese’s techniques and paintings

These two books—very different in approach—analyse the process and works of the Italian Renaissance painter

Booksreview

Very much an acquired taste: how did so many Italian baroque paintings end up in US museums?

Book provides a sampling of personalities, acquisition strategies and collections that many Europeans may not know

Frick's fourth expansion plan gets green light

But the preservationist group Stop Irresponsible Frick Development has protested the project, saying "the public has not been given a fair opportunity to provide feedback"