There will be a rash of shows on the Renaissance master, the largest will be in Rome

The Virgin and Laughing Child was recently re-attributed as the artist's “only surviving sculpture”

From Henry Moore’s Helmet Heads at the Wallace Collection to Renaissance nudes at the Royal Academy of Arts

Examining the many meanings—and inanities—ascribed to the unclothed human body in Western art

Exhibition about the Venetian Renaissance at Frankfurt’s Städel Museum also includes works by Giovanni Bellini and Jacopo Tintoretto

More than two-thirds of Antonello da Messina’s 35 accepted autograph works are reunited for a show at Palazzo Reale

The full-scale preparatory drawing for the Vatican’s School of Athens fresco is going back on view after a four-year restoration

“Spalliera” panels depicting parables are reunited at Boston's Isabella Stewart Gardner Museum for the first time in 500 years

Drawings from the Royal Collection go on show around the country this week before larger surveys in London and Edinburgh later in the year

The 1301 carved pulpit will undergo a two-year intensive monitoring programme

Half of movable works by Renaissance master included in St Petersburg show

Scientists and artists replicated the Renaissance design, inking and printing process

The show includes male and female examples for historic accuracy, its lead curator says

A literally once-in-a-lifetime exhibition is at Vienna's Kunsthistorisches Museum

The collector's collection of 75 magnificent pieces

The interactions of Renaissance drawing, printing and ceramics

The significance of books in works of art

More than 30 conservators will treat paintings and sculptures, seven years after French culture ministry halted reckless cleaning of two panels

Despite the failings of the Stuart kings, their art collections stand in their favour, as exhibitions in the UK this year have shown

The “avant-garde superstar” of the Renaissance is celebrated in his home city before works make rare trip to the US

These two books—very different in approach—analyse the process and works of the Italian Renaissance painter

A rich and fascinating book on what can rightly be called the art of philosophy

The Accademia Carrara in Bergamo has re-attributed the 15th-century work Resurrection of Christ

A shoestring trip to La Serenissima—and a thumbs-up for Simon Schama

Noah Charney on works that we cannot see, but which remain as an influence to those who did see them

Melanie Gerlis sets the scene for six specialist collecting categories at this year’s Maastricht fair

Noah Charney on the hundreds of works that were described those who saw them as wondrous, but which were only ever meant to be temporary

Court artist had an impressive roster of sitters including Mary Rose Tudor

From Pontormo to Klimt, dealers invest in research in the hope of boosting prices

Worcester Art Museum argues for reattribution of altarpiece panels by Verrocchio’s workshop