Renaissance
Deutschland über alles? On the early Renaissance art market
Contrary to popular opinion, the Early Renaissance German art market developed simultaneously with, not later than, those in Italy and the Low Countries
The Vivarini family: lesser-known protagonists of Venetian Renaissance painting
The trio from Murano steps out of the shadow of Bellini, Giorgione and Titian in new show
Tintoretto’s Venetian masterpieces sparkle again
Cleaning and LED lighting give visitors a glimpse of how the space originally looked
Famous figures under scrutiny
New thinking about Da Vinci and Michelangelo considers their different approaches and the reception their work received
A fountain of scholarship: Jeremy Warren on Giambologna’s Neptune Fountain
In a new book, the artist's project is seen from many angles
A swan-like artist: David Ekserdjian on the Renaissance master Andrea del Sarto
Draughtsmanship was one of the artist's finest skills
Pouring over the precious: James Yorke on luxury and sentimental objects
A survey of objects acquired between birth and death in early modern Europe that accompanies a Fitzwilliam exhibition
The Cranachs and Luther, a beautiful friendship: Joachim Whaley on the Luther Decade
Part one of a series on Luther’s favourite painter and publicist
How the Cranachs made Luther unmistakable: Joachim Whaley on the Luther Decade
Part two of a series on Luther’s favourite painter and publicist
Luther, Cranach and political propaganda: Joachim Whaley on the Luther Decade
Part three of a series on Luther’s favourite painter and publicist
The ultimate dynamic duo: a new monograph surveys Nicola and Giovanni Pisano
David Ekserdjian learns more from a monumental monograph on father and son
Antonio II Badile: An Italian Renaissance drawing collector and his family
Casting light on an overlooked but fascinating aspect of the Renaissance
‘Lost Raphael’ surfaces in Spain
The University of Granada says it has found an authentic copy of Raphael’s Madonna of Foligno
Maiolica explained through the world’s greatest collection of Renaissance decorative art
This book, linked to a current exhibition, explores the V&A’s unrivalled holdings
Books: Isabella d’Este's hunt for a Leonardo painting
Isabella d’Este was not satisfied with an objet d’art and a drawing; she was determined to have Leonardo da Vinci paint her portrait
Elusive smile, elusive artist: is this really by Leonardo?
Despite a lavish, 300-page book and a high-profile presentation, strong doubts remain
Oxford to return RA’s copy of The Last Supper
The copy by Leonardo's student is the most faithful extant work
Louvre’s Leonardo conservation plan leads to resignation
Fears it will affect the sfumato of the piece are growing
The mysteries of Leonardo: A review of the National Gallery's new exhibition on the master
An exhibition catalogue that is erudite, sound and elegant—but for scholars, not the general reader
Why the art world is crazy about Cranach
New technology is shedding light on an Old Master as the prolific, multi-talented artist enjoys a renaissance
Anger over Louvre’s plan to clean Leonardo's Virgin and Child with Saint Anne
Specialists fear artist’s “smoky finish” effect may be harmed
Salvator Mundi in London: Your first chance to see the “new” Leonardo
How the National Gallery negotiated a record eight loans including a long-lost canvas, Saviour of the World
Vatican lends Raphael’s finest tapestries
Papal blessing and private funder for Victoria and Albert Museum’s Sistine show
Fra Angelico to Leonardo: Italian Renaissance Drawings on display at the British Museum
A highly distinguished and expertly organised exhibition
Books: The continuities in Medieval and Renaissance art at the V&A
A deep look into the remarkable objects now on display in the museum's recently opened galleries
V&A plans £120m second phase of renewals
Medieval and Renaissance galleries crown phase one of museum’s “Future Plan”
No, not Madonna the singer in the V&A's new Medieval and Renaissance galleries
How the Victoria & Albert Museum’s new Medieval and Renaissance galleries have dealt with our ignorance of Christianity
Cleaning shows that London’s Virgin of the Rocks is nearly all by the artist’s hand
After five years of research and conservation, Leonardo's masterpiece is once again looking its best