Deutschland über alles? On the early Renaissance art market

Contrary to popular opinion, the Early Renaissance German art market developed simultaneously with, not later than, those in Italy and the Low Countries

The Vivarini family: lesser-known protagonists of Venetian Renaissance painting

The trio from Murano steps out of the shadow of Bellini, Giorgione and Titian in new show

Tintoretto’s Venetian masterpieces sparkle again

Cleaning and LED lighting give visitors a glimpse of how the space originally looked


Famous figures under scrutiny

New thinking about Da Vinci and Michelangelo considers their different approaches and the reception their work received


A swan-like artist: David Ekserdjian on the Renaissance master Andrea del Sarto

Draughtsmanship was one of the artist's finest skills


Pouring over the precious: James Yorke on luxury and sentimental objects

A survey of objects acquired between birth and death in early modern Europe that accompanies a Fitzwilliam exhibition

How the Cranachs made Luther unmistakable: Joachim Whaley on the Luther Decade

Part two of a series on Luther’s favourite painter and publicist

Luther, Cranach and political propaganda: Joachim Whaley on the Luther Decade

Part three of a series on Luther’s favourite painter and publicist


The ultimate dynamic duo: a new monograph surveys Nicola and Giovanni Pisano

David Ekserdjian learns more from a monumental monograph on father and son


Antonio II Badile: An Italian Renaissance drawing collector and his family

Casting light on an overlooked but fascinating aspect of the Renaissance


‘Lost Raphael’ surfaces in Spain

The University of Granada says it has found an authentic copy of Raphael’s Madonna of Foligno


Maiolica explained through the world’s greatest collection of Renaissance decorative art

This book, linked to a current exhibition, explores the V&A’s unrivalled holdings

Books: Isabella d’Este's hunt for a Leonardo painting

Isabella d’Este was not satisfied with an objet d’art and a drawing; she was determined to have Leonardo da Vinci paint her portrait

Elusive smile, elusive artist: is this really by Leonardo?

Despite a lavish, 300-page book and a high-profile presentation, strong doubts remain

A tale of two ladies

Investigators sit neatly on the fence

Oxford to return RA’s copy of The Last Supper

The copy by Leonardo's student is the most faithful extant work

Louvre’s Leonardo conservation plan leads to resignation

Fears it will affect the sfumato of the piece are growing

The mysteries of Leonardo: A review of the National Gallery's new exhibition on the master

An exhibition catalogue that is erudite, sound and elegant—but for scholars, not the general reader

Why the art world is crazy about Cranach

New technology is shedding light on an Old Master as the prolific, multi-talented artist enjoys a renaissance

Anger over Louvre’s plan to clean Leonardo's Virgin and Child with Saint Anne

Specialists fear artist’s “smoky finish” effect may be harmed

Salvator Mundi in London: Your first chance to see the “new” Leonardo

How the National Gallery negotiated a record eight loans including a long-lost canvas, Saviour of the World

Vatican lends Raphael’s finest tapestries

Papal blessing and private funder for Victoria and Albert Museum’s Sistine show

Books: The continuities in Medieval and Renaissance art at the V&A

A deep look into the remarkable objects now on display in the museum's recently opened galleries

V&A plans £120m second phase of renewals

Medieval and Renaissance galleries crown phase one of museum’s “Future Plan”

No, not Madonna the singer in the V&A's new Medieval and Renaissance galleries

How the Victoria & Albert Museum’s new Medieval and Renaissance galleries have dealt with our ignorance of Christianity

Cleaning shows that London’s Virgin of the Rocks is nearly all by the artist’s hand

After five years of research and conservation, Leonardo's masterpiece is once again looking its best