It’s a Late Stone Age horse, of course?
Artist Oscar Tuazon on his Public Art Fund project for Brooklyn Bridge Park
It will be situated in Porquerolles, near St Tropez, and be funded by the Cermignac Gestion Foundation
On the eve of his Palazzo Grassi retrospective, the artist talks about how journalists have misinterpreted his work
On the eve of his retrospective in Vienna, reclusive artist Walter Pichler offers a rare glimpse inside his Austrian farm
The artist on his early B-movie ambitions, art schools, the pressure to move to New York and why he’ll never leave Los Angeles
The display explores a broad range of Flanagan's work, showing there’s more to Flanagan than jumping hares
This ruling concludes a case launched after discovery of 1,150 fake sculptures
Discussing the differences between Serra and Brancusi
His sculptures have previously been available to view exclusively in public collections
The continuing restoration of the home makes it fit for a queen (Queen Elizabeth II to be precise)
Big excitement over bigger and bigger works
One of the sculptor's models reflects upon his enduring influence and how he changed her life
Plus, Stephen Fry as Pope Innocent X
The artist on the 1970s feminist movement, unsolicited opportunities and that legendary Artforum advert
While its real antiquities from Egypt travel to China
The gallery paid £11,000 for the four bronze sculptures in 1957 - Christie's just sold one for $48.8m
Former owners of the building stake their claim over the 1974 piece Universe
Sense of embarrassment about real estate investor’s concept
Claes Oldenburg on his love of things, the loss of his wife and whether to accept a commission for Abu Dhabi
If he gets planning permission, Antony Gormley will transform Trafalgar Square into a space for the ordinary man and woman
Researchers see future applications for this cross-over science
The kidnapped statue has now been returned to the museum
Specialists warn that museums in the US and Europe will now have to re-examine their own sculptures
Several sculptures premiered at Art Basel
Development in conservation of sculpture
Despite having tackled some of the most ambitious commissions in contemporary art, such as Tate Modern’s Turbine Hall, the Indian-born British artist Anish Kapoor says “the problems in the end are always in the studio”
The faux-ethnographic sculptures may be the gallery's most expensive contemporary art purchase