Tate
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On the eve of a major show at Tate Britain, we talk to the artist about his life and work in the Caribbean
The generous contribution is the highest made to a cultural project in 10 years
Tate acquires edition of video shown at this year’s Venice Biennale
Swiss duo stake claim to be the art world’s favourite architects
A Monet suffered a 10cm tear from being punched
Charing Cross Bridge of 1902 was gifted by a friend after he was ensured it would satisfy by Tate director John Rothenstein
Valued at £11.5m, the preliminary sketch for The Apotheosis of King James I is now up for sale
Only part of the project will be completed by next summer, with a lack of funds hampering progress
This ambitious project will serve as an archive, allowing unprecedented remote access to information and art
This year the budget was £150,000, spent on just four pieces
In the current funding agreement with the Department for Culture, Media and Sport, the gallery’s “Diversity strategy” is described as a “key priority”
The painting will be loaned by Museo de Arte de Ponce in Puerto Rico as it refurbishes its gallery, along with Burne-Jones' Sleep of King Arthur in Avalon
The gender imbalance within the Tate's holdings is to be redressed, following in the footsteps of the Moderna Museet in Stockholm
Guggenheim director says US institutions cannot compete with such incentives
Three publications illuminate the subject of Tate Britain’s major exhibition
Meanwhile, Grayson Perry displays his (disco) balls
The World of Gilbert & George is now available
The Blue Rigi has been sold to an overseas collector, and after last year's loss of the Dark Rigi the pressure is on
Tate director Sir Nicholas Serota says no, but the director of the Berlin Gemäldegalerie, among others, believes it is
The gallery is hoping to display all three Rigi watercolours in January, uniting them for the first time
Tate’s US patrons applaud the destruction of cake effigies, while MoMA makes life difficult
Meeting between museum directors results in increased flexibility whilst borrowing pictures outside the 1900 division
Why was The Dark Rigi sold privately, when a public sale would have given valuable tax breaks?
The Outset/Frieze Art Fair Fund's budget of £150,000 saw 28 works enter the collection
A complete list of Tate's acquisitions from the last two years, and what they paid for them
Legendary dealer is thought to own 700 works worth £100m
Next year's schedule is packed with big names
Both the US National Gallery and Tate wanted to acquire The Dark Rigi but it was sold to a private collector