Mercedes and Ian Stoutzker have conferred an exceedingly generous donation on the gallery
The Modern Eye is on show until 14 October
The Tate says all detailed entries will be available online by 2014, but critics fear loss of scholarship
The photographic archive of paintings was transferred in haste - twice
The artist's work is among 287 purchases made by Tate in the last year
Two new artists and an old favourite make the cut
The display explores a broad range of Flanagan's work, showing there’s more to Flanagan than jumping hares
The National Portrait Gallery director had a sensitive, secret role in recovering the stolen paintings
Newly released documents uncover a heated argument and the search for spares
The veteran Catalan director has a season of films on show at Bankside
The £2 million scheme to bring the 21-piece scheme to the public
Out of a total of £193m, Tate's gifts by the likes of Hockney, Hirst, Bonnard and Bacon total £147m
As Oman pledges funds to Tate's expansion project, they share their art and know-how
The gallery paid £11,000 for the four bronze sculptures in 1957 - Christie's just sold one for $48.8m
Making more of Tate Britain’s building and rehanging the collection
Works by Lorna Simpson, Július Koller, and Jimmie Durham make up the selections this year
Dexter Dalwood, Angela de la Cruz, Susan Philipsz and the Otolith Group are shortlisted for the prize
Millions needed to stop leaks, control humidity and open up the rotunda of the Victorian building
American patrons have recently been very generous to the gallery, with both their art and their funds
Moving on from traditional didacticism and adapting to a new level of modern communication
After a decade of acclaim, will its triumph be topped by Tate Modern 2?
After a decade of acclaim, will its success be topped by Tate Modern 2?
For a work to be deaccessioned from the Tate is rare but permitted, in this case as a step toward upgrading the national collection
Both have set up acquisition committees concentrating on the region
'History is unpredictable, and we cannot know which obscure artist or minor exhibition may once be regarded as a groundbreaking historical event'
Both have adopted marketing strategies more typical of luxury goods firms than artists. In 2009 we looked at their market history
The 'indecent' image of Brooke Shields renders catalogues unsellable
The works selected reflect Tate's increasingly global outlook and support of young artists
The entire refurbishment project should conclude by 2020
As the Middle East increasingly becomes a producer and consumer of contemporary art, the role of the West as 'tastemaker' grows progressively more troubling