The prestigious New York firm imitates younger, hipper galleries such as Deitch Projects with a show of video game art
Infra-red examination shows abandoned original design
A new book explores the history of the first truly portable camera
By 2007 Harvard will be able to track the collection digitally, and everything will be accessible
Everything for the armchair art lover, at the flick of a switch
Conservation and connoisseurship joined at the altar
Keeping net art live
Digital Promise non-profit will develop electronic education programmes
Oxford professor launches detailed technical study of all works attributed to Leonardo to be completed by major exhibitions in 2006
Replicas are not necessarily second-rate Disneyfications, says conservator John Larson
As director of this centre for arts and media technology, Peter Weibel, says that media art can be more politically engaged because it relates to the new technologies and the new economic order
This year’s 15th Ars Electronica, the Austrian digital arts competition, is as strong as ever, despite the fact that the digital revolution has been going through its first real crisis
He talks to The Art Newspaper ahead of his upcoming show at White Columns
New technology does not change anything except the context of art
Ossian Ward investigates European and US perspectives and the issues of conservation and ownership
Director James M. Bradburne is a passionate believer in new technologies
Disillusioned and sick of heavy-handed art that tries to shock, the artist has now turned to kitsch and sentimental themes
Clare Henry saw the latest high-tech astronomical display at in New York and says scientists have taken art to new heights
The advice on how to be successful in the online world offered here in 2000 centred on building a community and having a shared sense of purpose and trust
The pull of past traditions is juxtaposed with the push of digital innovations
Leonardo flies again at the Science Museum
Also on show are pastel landscapes at Artemis and high-tech furniture at Barry Friedman
The contemporary fair switches on to new technology
Stanford University works to create computer models of all of the master's sculptural works
Japan’s technological expertise and interest in media art on display at the Inter Communication Centre and the Image and Technology Gallery
The museum recounts the development of the nation with technically elaborate displays
The new information technology has transformed traditional picture research
Three works by the German master went on show last month following an acid attack a decade ago. Two have been restored with a new ion-exchange technique used on paintings for the first time
Is new copyright law needed for a new age?