Art dealers
Dealers are the art world's real brains
Let us face facts. Before money changes hands, unfamiliar art is not studied because nobody thinks it is worthy of study
From Italian Old Masters to Belgian Symbolists, Salon du Dessin is broad in range but intimate in atmosphere
The new location is drawing collectors into the Paris stock exchange
Three-part Vuillard catalogue compiled by Montreal Museum of Fine Arts published after 50 years in production
The volume aims to be totally immersive, images rooted in their biographical context with detailed annotations
NADA and SCOPE: the emerging fairs that cash in on Art Basel's success
Enterprising dealers met collectors' demand for young and fashionable names
Works by younger artists for cheaper prices favoured at Art Basel 2003
Art Basel '03 fair report
Original Prints, London, reaching a new audience
Today’s print buyer is no longer a specialist collector
Despite the recession avid collectors are still flocking to the International Fine Art Fair.
Works on paper did well at this major event
The Scottish garden hawk flies into New York, Louise’s new love, the youngest collector, and where to buy a book
Raising the flag in the West (Village)
A subdued journey down the Rhine for these Cologne art fairs
Trade was slow at these three very diverse events
Diary of a New York dealer: Carlton Rochell
Contemporary art collectors are coming to Southeast Asian art. Hollywood’s fascination with Buddhism is also a trigger
Salon du Dessin is what a fair should be
A host of related events make this a “must” for drawings collectors
Interview with a British dealer Pat Jordan Evans on her gallery's 30th anniversary
An out-of-town gallery thrives on showing gentle, figurative painters
Art Basel Miami Beach's debut uncovers secrets of success amidst the gloom
Buying mania at this new fair stripped some stands bare in 40 minutes
Diary of a London dealer, Nicholas Logsdail: “I think I changed the landscape”
Why the art market is holding up as stock exchanges plunge, and why there are 10 times more collectors than in 1990
Miami: the burgeoning art scene that attracted Art Basel
Do commercial galleries stand to benefit from the increased footfall brought by the famous art fair?
Diary of a New York dealer, Hans Kraus, Jr: “The old medium has died and digital has taken over”
Why collectors of 19th-century painting are crossing over into photography
Cultura Basel at a crossroads as Antiquities and Asian art lead the field
Cultura Basel '02 fair report
A market for baskets: Interview with New York dealer Sebastian Izzard
The difference between Japanese and European taste in the field of Japanese art
Works of St Ives School artists continuously increasing in popularity
Leading the pack are Nicholson and Hepworth, while prices for Lanyon, Hilton and Heron are rising dramatically
Amazing things under the Louvre at Biennale des Antiquaires
Barges on the Seine, a Liao gold mask and spooky pre-Colombian tomb figures at the smartest decorative arts fair in the world
Did carpet dealers and collectors watch the soccer rather than go to the Hali fair?
"The World Cup effect"
Art Basel Miami Beach set for December
The impending Florida edition of Art Basel comes after its deferment last year
Art Basel '02: A giant among art fairs and a must-see
Untouched by its competitors, Art Basel remains a highlight on the art calendar
Betting on the young outsiders: Dealers and collectors are watching the art schools like Hollywood talent scouts
This year’s Columbia University School of the Arts 2002 MFA Thesis Exhibition as zeitgeist for current trends
Sales results provide reinforcing evidence that the field of photography and its market remain steadfast and financially solid
“Traditional notions of composition and beauty do very well”
Texan collector loses Van Dyck case, dealer judged not fault
Claim against Agnew’s dismissed though the painting ruled not autograph
Veteran dealer, Richard Philp on why young collectors aren’t buying antiques
“Dealers must overcome the interior decorator mentality”
Collectors sue Agnew’s over Van Dyck and Constable misattributions
The gallery catalogued both works as genuine, though experts made no secret of their ambivalence