Art dealers
Tate and Scottish National Gallery in talks to acquire d’Offay collection
Legendary dealer is thought to own 700 works worth £100m
Russian Oligarch Alexander Shadrin buys 40 Dalís
The works are on show in a local museum, and will travel the country next year
Dealer who sold Turner masterpiece says it will go on public view in UK
Both the US National Gallery and Tate wanted to acquire The Dark Rigi but it was sold to a private collector
How the US National Gallery and Tate were beaten to Turner masterpiece
The Dark Rigi has become embroiled in murky legal waters
Art Basel 2006 was the best yet, but clients found inflated prices a concern
Art Basel '06 fair report
Art consultant Philippe Segalot reveals his views on the market and which contemporary artists he thinks will stand the test of time
In the second extract from Adam Lindemann’s Collecting Contemporary, we learn that the most committed collectors also make the most money
The posthumous rise of Martin Kippenberger
The German artist’s work has become a favourite among curators and collectors—but only since his death a decade ago
Ena Swansea splits from Gasser & Grunert after exclusion from Art Basel fair selection
The gallery's loss of one of its stars only contributes to their recent bout of poor fortune
Mexico's MACO remains a modest fair but draws major dealers
Exhibitor numbers are up 50%, with a few big names such as Hauser & Wirth
Design Miami/Basel 2006 kicks off in style
The fair makes it clear that contemporary design dictates the taste of the moment
Going...going...is the traditional antique gallery dying?
Dealers race to sell stock at auction as buying tastes change
Moscow dealers to open art centre in former wine factory
Businessmen and collectors fund $4m complex
Warring New York dealers guilty of tax evasion
Court orders Helen Fioratti and James Sansum to repay huge sums
Calder Foundation's new space for exhibitions and encouraging scholarship
Dealers not welcome says director of Calder Foundation
Business as usual at Knoedler's renowned Upper East side branch after $500,000 restorations
The modernisation of this landmark is an example of Knoedler's adaptability, as one of the US's longest established commercial galleries
Court finds Peter Brant really does own Warhol’s Red Elvis
The decision ends a dispute that started in 2000
A dealer is offering to mount high-tech plasma TVs in 19th- and 20th-century frames
For the collector who has everything
Trend for newest art possible takes hold as dealers benefit from coordination with Biennale: Art Basel 2005
Art Basel '05 fair report
'The art trade is the last major unregulated market'
Is it time for reform? Murky dealings came to light in 2005 as more collectors began to enter the scene—and brought their cases to court
Financiers lacking art knowledge are increasingly collecting art as investment, rather than out of passion
The Art Newspaper discusses the surrounding points of views
America votes for giltwood at the International Art and Antiques Show
Decorative arts dealers reported good sales but paintings were harder to shift
New Lefevre/Gibson collaborative gallery christened with London's first ever Giacometti show
All fifteen of the drawings that make up the display - running until 15 December - are available to purchase
Speculators angering dealers over collecting without passion for art
Young financiers want to build a diversified portfolio
FIAC, Paris: Suffering from the Frieze effect
Foreign collectors deserted the fair and the French only buy their own artists
Frieze already an established British tradition
Although only the second edition of this contemporary fair in a tent, global collectors flocked to it and sales were frantic
The Basel Ancient Art Fair set to launch this November
The fair will occupy the space in the fair calendar left bare by the now-defunct Cultura
Art Basel yields inconsistent profits for dealers as the cult of the new proves more potent than ever
Art Basel '04 fair report
Do contemporary dealers still need galleries?
Larry Gagosian has just opened a new, 1,400-square-metre space in London. But is such grandeur still necessary?
A growing number of young collectors are now buying contemporary art in Rome
Has the Eternal City overtaken Milan and Turin?
Dealers are the art world's real brains
Let us face facts. Before money changes hands, unfamiliar art is not studied because nobody thinks it is worthy of study