Visitors to Parreno’s Beyeler show get a copy of his “black garden” film. The DVD will expire but the plants live on
The artist’s solo show at the Beyeler this month includes new films starring a black garden and a robotic Marilyn Monroe
Ackroyd & Harvey have fused nature and engineering to mark London 2012’s legacy and the Olympic Park’s hidden history
A major survey of R. Crumb’s countercultural cartoons opened in Paris last month, but he remains mystified by the attention
The art collaboration that rose to fame in the 1980s is holding its first public workshop for youngsters at Frieze New York
On the eve of his Palazzo Grassi retrospective, the artist talks about how journalists have misinterpreted his work
From mock guided tours to a sexual encounter with a collector, the US artist's work is a unique form of institutional critique
Is Deller the best artist whom collectors rarely buy? And why is he showing in London, a city he tries to avoid?
Stella discusses a collaboration with the architect Santiago Calatrava in the lead-up to a major retrospective at the Kunstmuseum Wolfsburg
The Mexican artist Gabriel Orozco on his work, retrospectives and opening this year’s talks programme
With a biennial, two shows and a knitwear range on the go, Liam Gillick talks about the lasting effect of his Goldsmiths years
When Kaino thought the art world was getting too obsessed with money, he retreated into the realm of magic
Inspired by punk, Anri Sala’s video art stages a musical battle with time
Velázquez meets Bugs Bunny in George Condo’s first major retrospective on the South Bank
How a 12-screen video installation on show at Frieze was filmed despite Iran’s strict regime
The musician and St Martin’s graduate on why access to art is crucial during an economic crisis
The artist on his early B-movie ambitions, art schools, the pressure to move to New York and why he’ll never leave Los Angeles
Wilhelm Sasnal on how his native Poland provides the inspiration for his work on canvas and celluloid
Höller has a PhD in insect communication, but he abandoned the rules of science for the “subjective experience” of art
Discussing the differences between Serra and Brancusi
On the eve of his solo show at the Whitechapel Gallery in London, Struth talks about society, the family and the gaze
The musician explains why he is performing in the stage production The Life and Death of Marina Abramovic
His work at the Venice Biennale has meant rebuilding an installation inside a rebuilt caravanserai within the British Pavilion
The painter on the burdens of being a professor, the need for figures and his prophetic abilities
The artist on the 1970s feminist movement, unsolicited opportunities and that legendary Artforum advert
The actor on stepping outside of Hollywood fame and why collaboration feels so natural
The artist speaks about the 1970s, public engagement, and the supernatural
Photographer Bruce Weber has spent seven years recording the plight of Miami’s Haitian community
The artists on splitting up but staying together and why they are putting their lives on stage
The German artist explains why he puts aggression and provocation centre stage—along with his mum