(Tate Publications, London, 2000), 192 pp, 25 b/w ills, 160 col. ills, £16.99 (pb) ISBN 1854372874
A popular, non-technical explanation of the physical composition of paintings is not easy
Three books show that the depiction of war in art is as various as other human responses to the phenomenon
Christopher Ridgway and Robert Williams (eds), Sir John Vanburgh and landscape architecture: art and design in baroque England, 1690-1730
This handsome overview spans the celebrated photographer's entire career
David Sylvester reevaluates violence
Adriaen de Vries takes the new award for the outstanding exhibition catalogue
A celebration of the Gilded Age couple famed for their taste and refinement
Around 500,000 volumes are scattered across 150 historic houses
It will comprise of six volumes, beginning with his production from 1961 to 1963
Abstract Expressionism in the Hebrides
“People often ask how I could pursue such a ‘sad’ subject for so long”
Identifying the common circumstances behind the 18th-century ceramics industry
A compelling biography of the father and son who founded the Walters Art Gallery, Baltimore
Good value and good quality with Thames & Hudson, and Tate Publications launch a raft of titles in connection with the new museums
Raphael gets assessed according to the theories of Rudolph Steiner and Vasari’s judgement of Andrea del Sarto is reversed
As the exhibition on Ruskin’s championship of Turner opens at the Tate, this crop of catalogues returns a timely harvest of Turner scholarship
"Women and art: Contested territory" and "Great women collectors"
Of the fifty one books that were stolen, nineteen have been recovered
Artists (Tate Gallery Publishing, London, 1999)
A new book explores the notebooks of the Renaissance Master
Anthony North uses the collection to illustrate the history of pewter design and decoration
Admired by Van Gogh and an enormously successful artist in his lifetime, Herkomer was a polymath and man of action
The Spanish involvement with Nazi-looted art and the part played by the Austrian resistance in saving works of art are among the revelations in this book
This book reveals how the CIA’s promoted US artists as a way of stopping the spread of Communism in the years after World War II
The museum and the Great Exhibition from which it derives are the subject of five new books
The latest volume in the catalogues of the Khalili Collection describes the art of the Muslim courts of India
This second edition includes even more of the collection, providing a fine survey of the medium in America
The progress of Modernism in the Communist States and the response of the French Avant-garde to World War I are examined in these two books
Naomi Sawelson-Gorse edits this collection on the often overlooked women of Dada