Why the art market is holding up as stock exchanges plunge, and why there are 10 times more collectors than in 1990
As Unesco celebrates the 30th anniversary of the World Heritage Convention, this book analyses the effects of its policies in developing countries
In 2001 they predicted that some areas such as the Old Master market will remain stable but that trendy art would lose its zip
In 2001, the Yale professor attributed the one- to two-year lag between crashes to the time it takes to liquidate assets
Very little support for the art scene from the tax system and, as in Germany, an outdated distinction between “original” works of art, subject to 9% VAT, and multiples (prints, digital works, photography etc), subject to 19%
We look beyond the Brooklyn Museum's Sensation exhibition into a troubling trend emerging across the sector
Unevenness comes to light, as survey finds that almost 50% of the UK total was directed towards London
In market competition between Hong Kong, Shanghai, Taipei and Singapore, Hong Kong still comes top, with Taiwan second
Twentieth-century design, Western and Latin American art, movie memorabilia and jewellery dominate the auctions
Smith hopes for Britain to rejoin UNESCO, aiming divert Lottery funds to health and education
Record giving approached £1bn across the continent
If the State relinquishes its responsibility for funding culture, art will be restricted by private patronage, the letter argues
Tax mandates pertaining to the acquisition of art will be eased for both donors and foundations
Admical offers a number of explanations as to why figures have declined
James Joll of the international media giant Pearson plc explains the who, what, why and quid pro quo of corporate involvement in the arts
France looks to Britain for models to increase private funding for the arts
The code was devised as a response to the normalisation of corporate funding, which could cause an uneven distribution of aid based on changing tastes
Tax will now be deductible for donations, but will a 2% relief be enough to make funding art worthwhile?
Of course every work of art is unique—but enter the technique of “hedonic regression”
A recent symposium at the Crédit Municipal examined ways in which the market could be improved
We observed that while the market was feeling fragile during the 1991 slump, fortunes have a way of turning around
If the law is passed, sponsors will be granted legal provisions so they might better circumvent obstacles that complicate art funding
Corporations' trust in art as a tool for generating publicity has not wavered