Museum acquisitions

Acquisitions negotiations at Tate and The Armouries: You win some, you lose some

A mysterious donor gives the Tate £12.5 million to buy Reynolds’ Omai but the Armouries fail to get Lottery support for two armours

Newly-discovered Blake watercolours go for £10 million - but not to the Tate

An export licence deferral is now expected as the set of 19 watercolours sold to a Glasgow bookshop for a pittance in 2000 were sold to an overseas collector out from under the Tate

Museumsarchive

National Gallery and Getty fight over Raphael

The California museum has bought the Duke of Northumberland’s “Madonna of the pinks” for $50 million

Funding the Tate: A £134 million achievement

With £6m a year to raise, the budget of Tate Modern will require constant effort

David Smith's 'Wagon II' bound for the Tate

Purchased from artist's family, it is the most important work still in private hands

Tatearchive

Important eighteenth-century and contemporary additions to Tate’s holdings

The works are from the Oppé collection and Janet Wolfson de Botton

Interviewarchive

An interview with Peter Galassi, Chief Curator of Photography at the Museum of Modern Art, New York

“It is impossible to say in advance when photography is an art and when it is not”

Tatearchive

Contemporary from the Froehlich Foundation and sculptures from the friends to swell ranks at Tate

Austrian industrialist Joseph Froehlich is loaning major works of German and American art to the museum while Friends of the Tate contribute several new gifts

Victoria and Albert loses out on William Morris collection

Berger collection to go to Huntington after two-year silence from the London museum

Vanbrugh at the V&A

Newly bought architectural albums on show

Nick Serota on his second Tate rehang and his vision for what will be “one of the great museums of late twentieth-century art”

Defending his acquisitions and looking to the future, Serita talks on exhibitions and an international outlook

East Berlin museums chief defends his record, revealing how the East German museums sold in order to buy'

We did not pursue any party political nonsense on the Museum Island': Professor Günther Schade stands by his position