The Director’s Council comprises 25 to 30 names from the fashion, entertainment and finance industries.

Nicholas Serota says the document, which recommends the restitution of a Constable from the gallery’s collection, contains multiple inaccuracies

Maria Loshak seeks industrial space for Modern and contemporary art satellite in Moscow

Penelope Curtis, the gallery’s director, aims to accentuate the strengths of the collection and the building

Venice exhibition will draw on works from Pinault's vast collection

The French musician, museum director, public servant and man of many letters.

Mercedes and Ian Stoutzker have conferred an exceedingly generous donation on the gallery

The words chosen by directors reflect a desire to quash ambiguity and carve out their space in the contemporary art landscape

The V&A’s new, German-born director Martin Roth on what he learned in Dresden—and Beijing

Museum mergers have cut numbers

Making more of Tate Britain’s building and rehanging the collection

End of an era of modernisation

Poland appoints first foreign museum director

Outgoing director Vicente Todoli is off to seek new challenges

A night at the Turk’s head, a farewell to Tate Modern’s bon viveur, and the only party to support on election night

Follows censorship controversy

The Museum of Contemporary Art could see Ofili's Tate survey enter its doors

Gallerist turns museum director

After director quits, billionaire accused of grandstanding his private collection

Dr Penelope Curtis is a renowned scholar but also has a track record—as an exhibited artist

Since it opened last November, four out of five senior curators and directors have left and one has apparently been redeployed

In his first interview since taking over, the new director outlines his priorities

The former head of the Walker Art Centre takes up the newly created post next year

Trust payment “raises serious questions”

Serota takes a mysterious trip

Should museums acquire objects without provenance, which may have been looted? Yes, say several panelists

Here we publish an account of the memoirs of the late William S. Rubin, director of the paintings and sculpture department of the Museum of Modern Art, New York, for 15 years

“This is the only time in Iran that a cultural manager has been supported by artists like this”, he tells The Art Newspaper

With the view that creative outlet precedes change, Sami-Azar has begun to thaw segregationist policies that bar Iranian artists from international acclaim