Collectors to create “museum collection”

Yale prepares for the 2012 installation of its decorative arts galleries by reconstructing a period room

American patrons have recently been very generous to the gallery, with both their art and their funds

Art from across the globe has recently found a home in Bankside

Outgoing director Vicente Todoli is off to seek new challenges

Hong Kong will soon be home to a branch of the super-gallery

A night at the Turk’s head, a farewell to Tate Modern’s bon viveur, and the only party to support on election night

Moving on from traditional didacticism and adapting to a new level of modern communication

After a decade of acclaim, will its triumph be topped by Tate Modern 2?

Completion is expected in 2014 or 2015

Oxford’s greatest treasure trove

After a decade of acclaim, will its success be topped by Tate Modern 2?

V&A will reunite Raphael’s Sistine tapestries with their cartoons for first time in 500 years

In response to The New Museum's current exhibition

For a work to be deaccessioned from the Tate is rare but permitted, in this case as a step toward upgrading the national collection

Medieval and Renaissance galleries crown phase one of museum’s “Future Plan”

Meanwhile, Scott Alger puts on a show at a Vaudeville theater

Both have set up acquisition committees concentrating on the region

Dr Penelope Curtis is a renowned scholar but also has a track record—as an exhibited artist

V&A renaissance

Richard Prince's Spiritual America has been the subject of police interference, and the question of unclothed children in art is once again at the forefront

Ashmolean bridges the cultural divide

Private-collector museums

Brothers fall out over future of artist’s childhood home in Livorno

The works selected reflect Tate's increasingly global outlook and support of young artists

Over 3000 objects from 2500CB to the present day on display

The entire refurbishment project should conclude by 2020

Members express concern about running of Trust

Although it was covered by British government indemnity, the painting’s value remains unclaimed since its 1988 theft

Concerns over collections as National Trust for Scotland closes three properties